Asawin Suebsaeng is the interactive writing fellow at the Washington, DC bureau of Mother Jones. He has also written for The American Prospect, the Bangkok Post, and Shoecomics.com.
A graduate of Franklin & Marshall College in Lancaster, Penn., Asawin came back to DC with hopes of putting his flimsy Creative Writing major, student newspaper tenure, and interest in human rights and political chicanery to some use. He started cutting his teeth at F&M's student-run weekly, The College Reporter, serving as editor in chief. He has interned at The American Prospect, been a reporter for the Bangkok Post, and scribbled for ShoeComics.com. His favorite movie is either Apocalypse Now or Pirahna 3D, depending on the day or mood.
There's this new hashtag #LiberalTips2AvoidRape that's now on its second day of trending on Twitter: A really, really great expression of our shared humanity, and of the possibilities of feel-good, thoughtful conservative satire... this is not:
For the uninitiated, this isn't an example of right-wingers deciding out-of-the-blue to be insensitive to rape victims. They have their reason, and his name is Joe Salazar, a first-term Democratic state representative in Colorado. On Friday, Salazar spoke on the state House floor in support of House Bill 13-1226, which would eliminate "the authority of a concealed handgun permit holder to possess a concealed handgun on the campus of an institution of high education." In other words, Salazar's bill would ban concealed firearms on college campuses in Colorado. Opponents of the proposed legislation maintain that banning concealed carry on campuses would make it harder for students to protect themselves against mass shooters and rapists on school grounds.
In late August, action-film maestro Tony Scott took his own life, jumping from the Vincent Thomas Bridge into the Los Angeles Harbor. One of the director's final projects was a made-for-TV movie that he co-executive produced with his brother Ridley: An adaptation of the nonfiction thriller Killing Lincoln: The Shocking Assassination That Changed America Forever, a best-selling book written by writer Martin Dugard and TV host Bill O'Reilly. The film (premiering on National Geographic Channel on Sunday, Feb. 17 at 8 p.m. ET/PT) stars Billy Campbell as President Abraham Lincoln and son of Don Johnson Jesse Johnson as stage-actor/assassin John Wilkes Booth. The movie is narrated by Tom Hanks' soothing timbre.
The made-for-cable Killing Lincoln continues Nat Geo's recent habit of debuting an original film right around the time a more high-profile movie with similar content is making the rounds in movie theaters and the awards circuit. (In November, the channel released its Bin Laden assassination movie starring William Fichtner—a project that might have reminded some viewers of this.)
Killing Lincoln never rises above marginally passable entertainment. It is a generally clunky and flavorless exercise weakly mimicking prestige filmmaking. It is also the latest in a months-long deluge of Lincoln movies that includes Abraham Lincoln: Vampire Hunter, Steven Spielberg's massive Oscar-bait Lincoln, Saving Lincoln,Abraham Lincoln vs. Zombies, and Army of Frankensteins. Yet Killing Lincoln has one distinction among this bunch: It just might be the most historically accurate.
It's Valentine's/Presidents Day Weekend 2013, and your lover or spouse wants you to spend money on a night on the town. For some, that might involve a couple of hours together in a crowded air-conditioned chain movie theater, gorging yourself on pails of butter-slathered junk food.
If that's your reality, here are the options, three of which were released on Valentine's Day.
The first is Beautiful Creatures (Warner Brothers, 124 min.), a new romantic fantasy about a young human boy falling head over heels for a young female witch in rural South Carolina. (In the Beautiful Creatures universe, good witches prefer the more politically correct term "caster.") The film is a irreverent and genuinely interesting entry into the ever-bloated "Teen-Human-Falls-In-Forbidden-Love-With-Teen-Supernatural-Being" subgenre, so comparisons to the über-profitable Twilight franchise are inevitable, and the studio's ad campaign predictably tries to make Beautiful Creatures look like as much like Twilight as possible.
Such comparisons are bunk. Unlike any of the five movies in the Twilight saga, Beautiful Creatures is funny, sexy, and not a heaving pile of savage unbearability. And unlike any of the various Twilights, the cast here is uniformly excellent (Viola Davis, Emmy Rossum, Emma Thompson, Jeremy Irons, Zoey Deutch, and the two romantic leads Alden Ehrenreich and Alice Englert).
It's more fitting to compare Beautiful Creatures to two other films also now in theaters. The newly released (and quite lovely) Warm Bodies—a romantic zombie comedy that includes the best use of Bruce Springsteen music in recent cinema—is essentially the same movie as Beautiful Creatures, if you swap the latter's witches for zombies. Both films are human/non-human teen romances, are based on a novel, are helmed by a talented writer/director, have an Australian actress in the lead female role, and were released within a few weeks of each other. You could also appropriately compare Beautiful Creatures to the new 3D action flick Hansel and Gretel: Witch Hunters, seeing as how both films prominently feature a Bloodlusting Witch Hitler -type character (Emma Thompson plays the genocidal witch character in the former, Famke Janssen in the latter).
"To be honest, I believe that drones are a lot more civilized than what we used to do, you know, when Sherman shelled Atlanta or when the Allies firebombed Dresden in World War II, it was all collateral damage. It was virtually all civilians. And that was the way of war until very recently," King said on Friday's episode of MSNBC's Morning Joe. "The drones, although there is some collateral damage, basically is a very smart artillery shell...[I]f you put it in a context of 1,000 years of war, I think it's actually a more humane weapon because it can be targeted to specific enemies and specific people."
Of course, that doesn't have much to do with drone critics' actual arguments, and Sen. King was wise enough to point that out during his interview: "Now, I do think there’s a problem...about targeting Americans. There is this little item of the Fifth Amendment that says no person shall be denied life, liberty or property without due process of law."
But King's initial point is unimpeachably true: When you look at the history of warfare between 1013 A.D. and now, it's hard to come to the conclusion that drone warfare is any more barbaric or indiscriminate than what humanity has become used to over the past ten centuries. For instance:
House of Cards, a new political drama released on Netflix, starring Kevin Spacey as a power-hungry US congressman.
The second season of NBC's Broadway-based drama Smash.
The Americans, a new dramatic series on FX that follows a married pair of Soviet spies in Washington, DC at the dawn of the Reagan era.
Listen:
Each week, I'll be sitting down to chat with ThinkProgress critic Alyssa Rosenberg (who also does killer work at The Atlanticand Slate's "Double X"). We'll talk, argue, and laugh about the latest movies, television shows, and pop-cultural nonsense—with some politics thrown in just for the hell of it.
Alyssa describes herself as being "equally devoted to the Star Wars expanded universe and Barbara Stanwyck, to Better Off Ted and Deadwood." I (everyone calls me Swin) am a devoted lover of low-brow dark humor, Yuengling, and movies with high body counts. I hope you enjoyed this episode, and tune in during the weeks to come.
We'll be featuring guests on the program, and also taking listeners' questions, so feel free to Tweet them at me here, and we'll see if we can get to them during a show.
Thank you for listening!
Click here for more movie and TV features from Mother Jones. To read more of Asawin's reviews, click here.
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