James West

James West

Senior Producer, Mother Jones/Climate Desk

James West is senior producer for Mother Jones and its reporting project Climate Desk. He wrote Beijing Blur (Penguin 2008), a far-reaching account of modernizing China’s underground youth scene. James has a masters of journalism under his belt from NYU, and has produced a variety of award-winning shows in his native Australia, including the national affairs program Hack. He's been to Kyrgyzstan, and also invited himself to Thanksgiving dinner after wrongly receiving invites for years from the mysterious Tran family.

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Netflix Just Released the Trailer for Tina Fey's New Sitcom and It Looks Incredible

| Thu Jan. 22, 2015 7:18 PM EST

Welcome to your new favorite thing. Finally, a glimpse of Unbreakable Kimmy Schmidt—the latest from Tina Fey and the team behind 30 Rock—which comes to Netflix on March 6. Reminiscent of the recent rash of reality TV shows like Breaking the Faith and Breaking Amish, the comedy series starring Ellie Kemper (The Office, Bridesmaids) follows a peppy former doomsday cult victim as she tries to make a new life in New York City, having been rescued from an Indiana bunker. Hilarity ensues. Alongside Kemper, it's a joy to see former 30 Rock stars Jane Krakowski and Tituss Burgess.

The first sitcom for Fey since 30 Rock was originally developed to air on NBC (co-written by NBC show-runner Robert Carlock), but it was bought up by Netflix last November. At a recent press conference for TV critics, Fey joked that the lack of network restrictions on streaming platforms was creatively liberating: "I think season two's gonna mostly be shower sex," she said, according to NPR.

For someone who has made network TV her career, the shift to streaming is a big move for Fey. But she told critics that the basics of any television series still apply on Netflix: "People still have that communal feeling when the next season of Orange is the New Black goes up. And they do want to talk about it, they do want to email about it and they do want to talk about it at work. So you still have the communal feeling of, like, 'Oh we want to see this and talk about it right now.'"

The only catch? "Its just not literally at that specific hour of the night."

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