Yesterday at the San Francisco Museum of Modern Art, throngs of school vacationers made a beeline for the much-hyped Olafur Eliasson exhibit. I didn't quite have the wherewithal to spend 20 minutes on line waiting to see trippy mirrors or whatever, so instead I left the under-10s behind and headed downstairs, where I was happy to find myself in a room with, like, four decidedly sedate adults. This was a good room for me not only because of my misanthropic tendencies, but also because of the photography series I found there: An-My Lê's "Small Wars" and "29 Palms."
Both series are about something we're not used to seeing—war in an American landscape. Not real combat, but rather reenactment and rehearsal: "Small Wars" (1999-2002) chronicles Vietnam war reenactors' staged battles in Virginia, while "29 Palms" (2003-present) focuses on soldiers training for deployment in Iraq and Afghanistan at the Twentynine Palms military base in California. On a purely technical level, this is impressive work. The black-and-white photographs are full of texture and nuance, and the composition—from vast landscapes to detailed tableaus—is impeccable.
[Read more in the Riff blog]