Matt Freeman has played bass in some ridiculous number of rock 'n' roll outfits over the years. One of my old bandmates introduced me to him way back when outside Berkeley's famed punk clubhouse 924 Gilman Street. That was in the pre-Rancid days, and I'd recently scored a fun little 7-inch vinyl record of Freeman playing bass with Kamala and the Karnivores. (I still have it somewhere.) He'd also played in the Dance Hall Crashers, Downfall, and various other acts he helped put together. But his real street cred came with his "former" status in Operation Ivy, a band on the Gilman scene that was the first to combine ska and punk rock into a high-intensity sound that spawned thousands of imitators. Even after the band split up, the now-defunct Lookout Records sold enough copies of Energy, Op Ivy's one and only full-length, that its members were able to quit their day jobs.
Rancid—formed a few years later by Freeman and Op Ivy guitarist Tim "Lint" Armstrong, and joined by guitarist Lars Fredericksen and lefty drummer Brett Reed—picked up where Op Ivy had left off. They recorded a series of successful albums on Epitaph records and toured relentlessly, indulging in various side projects when they grew restless. During a Rancid hiatus in 2004, Freeman also did a temporary stint with the seminal Southern California punk band Social Distortion. The boys have since grown into middle-aged men, but Rancid plays on, and Freeman has a new album out with Devil's Brigade, his psychobilly side project with Armstrong and drummer DJ Bonebrake from X—one of my favorite bands of all time. Last month, just prior to the CD's release on Epitaph, Freeman was kind enough to reply to a few questions about his own listening preferences, aging gracefully, and the TV series Breaking Bad.
[Read more in the Riff blog]