Illustration by Joe CiardielloCraving Ethiopian, the novelist Michael Chabon—plaid shirt and jeans, man purse made from upcycled inner tubes, signature locks cropped to where he might pass for some mere literary mortal and not the author of a half-dozen bestsellers—strolls up a sidewalk not far from the Oakland-Berkeley border, where he lives with his wife, author Ayelet Waldman, and their four kids. This scruffy stretch is the setting of Chabon's new book, Telegraph Avenue, a Tarantinoesque romp following the struggles of two families, one black, one white, as a megastore threatens the husbands' vintage-vinyl shop, Brokeland Records, and a clash with an arrogant doctor lands the wives' midwifery practice in jeopardy.
Chabon was only 24 when he published his first hit novel, The Mysteries of Pittsburgh, followed some years later by a second best-seller, Wonder Boys, which was later made into a movie starring Michael Douglas and Tobey Maguire. Over the next 15 years or so, Chabon cemented his rep as a genre-busting—mystery, sci-fi, young adult, comics—master of language and crafter of metaphor, winning a Pulitzer prize for The Amazing Adventures of Kavalier & Clay and creating an alternate Jewish homeland in Alaska for his fabulously unique novel, The Yiddish Policemen's Union. His swashbuckling Gentlemen of the Road (working title: Jews With Swords) is set in 10th-century Khazaria while Summerland, intended for younger readers, sends us leaping among baseball-obsessed parallel worlds under threat from a dark character called Coyote. Back in Oakland, between mouthfuls of doro wat, the author tells me of his presumed kinship with Harriet Tubman, his "big internet problem," and why he considers himself a failure. No, really.
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