Ani DiFranco, the punk-folk singer-songwriter with the massive grassroots following, doesn't play by the rules. So perhaps it's fitting that DiFranco's latest collaboration with veteran storyteller Utah Phillips includes a track called "The Most Dangerous Woman," inspired by our famous namesake, Mary Harris "Mother" Jones.
DiFranco bears a similar brand, intended as a pejorative but worn by its target with pride. (A record industry executive once called her "every label's worst nightmare.") Armed with prodigious talent and an exhaustive do-it-yourself work ethic, the 28-year-old DiFranco has ridden a popular wave Up, Up, Up, Up, Up, Up (her latest solo album) to worldwide acclaim. For that trip, she has relied, not on the industry, but on her very own Righteous Babe Records, which has sold more than 2 million copies of her 15 releases to date. Her fans admire DiFranco as much for her steadfast independence and progressive business ethics as for her captivating songwriting and feminist politics.
In her collaborations with Phillips, DiFranco composes the music to accompany his tales of labor struggles and political corruption. Earlier this year, the pair released Fellow Workers, a sequel to their 1996 CD, The Past Didn't Go Anywhere. We caught up with DiFranco in the midst of her recent tour with R&B great Maceo Parker.
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