Michael Mechanic

Michael Mechanic

Senior Editor

Michael has been a senior editor at Mother Jones for eight years, after spending the previous six as an award-winning features editor at the weekly East Bay Express. In addition to editing stories for print and web, he is in charge of the magazine's Mixed Media section. His writing has appeared in a range of newspapers and magazines including Wired, The Industry Standard, and the Los Angeles Times. He lives in Oakland, California, with his wife, two kids, three chickens, striped cat, and too many musical instruments to master.

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Michael has been a senior editor at Mother Jones for eight years, after spending the previous six as an award-winning features editor at the weekly East Bay Express. In addition to editing stories for print and web, he is in charge of the magazine's Mixed Media section. His writing has appeared in a range of newspapers and magazines including Wired, The Industry Standard, and the Los Angeles Times. He originally set out to be a scientist, and as an undergrad spent a year in an organic chemistry lab at UC-Berkeley, where he was a biochemistry major, trying to synthesize tropical frog poisons. He also earned a masters degree in cellular and developmental biology from Harvard University and a masters in journalism from Cal. In 2009, he was named a finalist for a National Magazine Award for his contribution to MoJo's "Torture Hits Home" package. (His contribution, "Voluntary Confinement," involved a reality TV show that held contestants in isolation.) He also won a 2014 Society for Professional Journalists award for "It Was Kind of Like Slavery," a photoessay with photographer Nina Berman. Michael lives with his family in Oakland, California, where he sits on his front porch and attempts to play the fiddle.

Nick Cave at San Francisco's Warfield Theater on July 8
Nick Cave at San Francisco's Warfield Theater on July 8 Michael Rosenthal

Most concert reviews are ponderous, so I'll keep this one short: The quirky, passionate Australian musician Nick Cave, who was profiled in Sunday's New York Times Magazine if you care to read up on his latest doings, basically just renewed my faith in rock and roll—a concept that this scrawny, sexy, histrionic, 56-year-old love child of David Bowie and Tom Waits and something much darker more or less embodies.

Regardless of whether you've kept up with his oeuvre (I certainly haven't) or can even name any Nick Cave songs, he's a fabulous performer whom you need to see before you die—or before he does. Last night, during his second sold-out evening at San Francisco's Warfield Theater, the audience was smitten as Cave bounced around the stage like a gothic scarecrow, styled out in his signature dark suit and black velvet, taking full advantage of his rich voice and theatrical tendencies.

Reaching into the front rows, and occasionally throwing himself halfway down into them, Cave connects intimately and powerfully with his audience, leavening lyrical intensity with dark humor: Within the twisted landscape of "Higgs Boson Blues," Cave croons: "If I die tonight, bury me / In my favorite yellow patent leather shoes / With a mummified cat and a cone-like hat / That the caliphate forced on the Jews." On the contemporary track "We Real Cool," he sings, "Wikipedia is heaven / When you don't want to remember no more." And if you've never heard Cave's unique take on "Stack-O-Lee" or "Stagger Lee" (or however you choose to write the name of the old murder ballad), well, yeah. It's not much like the other hundred versions you might have heard.

Cave's talented band, the Bad Seeds, is a marvelous cast of characters to boot, especially the guy I'm calling the Mad Fiddler (and flautist, guitar, keyboard, and mandolin player). All wild hair and long, scraggly half-gray beard, he attacks his violin like some deranged fiddler on the roof. Together the Bad Seeds highlight Cave's quieter moments with subtlety, exploding with their bandleader when the time is right into mad catharsis. Rock and fucking roll at its finest. Tour dates are here.

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