Sydney Brownstone

Sydney Brownstone

Senior Editorial Fellow

Sydney used to cover things like music, environmental justice and Occupy for The L Magazine in Brooklyn. She has also contributed to the Washington Square News, Brooklyn Magazine and NPR's All Songs Considered. Outside of writing, Sydney is an ardent fan of sunflower seed butter and the old version of Final Cut Pro.

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In Defense of Grizzly Bear

| Mon Sep. 17, 2012 3:00 AM PDT

Courtesy Kanine RecordsCourtesy Kanine RecordsGrizzly Bear
Shields
Warp Records

In 2004, a solemn, anxious NYU student caught the attention of indie aficionados with an album largely composed in a bedroom. Soon after, the addition of three more jazz-minded NYU kids turned Grizzly Bear into a four-on-the-floor band, and together they would go on to produce a handful of albums that made their way onto the unofficial, essential soundtrack to Williamsburg gentrification. By 2009, if you listened closely, you could probably hear the entirety of GB's majestic Veckatimest playing through leaky earbuds on the L train, the line notorious for hauling transplanted creatives in and out of Brooklandia. Ed Droste, Daniel Rossen, Chris Taylor, and Christopher Bear did not smile for photos; their albums garnered descriptions like "haunted" and "gloriously eccentric," and their shows sounded painstakingly, precisely like their albums.

From that story you've probably figured it out: It's really easy to roll eyeballs about Grizzly Bear in 2012. Just last month, LA Weekly gorged itself on this sort of clickbait when it made Grizzly Bear number 5 on its list of "20 Worst Hipster Bands." Blah, blah, yes, we've heard the hipster hatred before. And you know what? It's a shameful disservice. Grizzly Bear has been one of the most reliably masterful bands of the decade, and their latest album, Shields, might be one of the best of the year. So, in the new-journalistic habit of making lists, here are five reasons you should listen to the new Grizzly Bear record.

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The Music Tapes Join the Circus

| Mon Sep. 10, 2012 3:00 AM PDT
The Music TapesThe Music Tapes

The Music Tapes
Mary's Voice
Merge

To enter the world of Julian Koster is to take part in a surrealist circus. "We think this fall is a perfect way for the 'traveling imaginary' to make its way out into the world," the visionary behind experimental pop group The Music Tapes announced to his fans on Kickstarter last month. He was referring to the band's ambition following the release of its third album, Mary's Voice: To travel the world performing in a circus tent complete with whirring and fantastical attractions.

It's the sort of thing to be expected from Koster and his ever-evolving psychedelic cabaret. The Music Tapes, one of the projects that blossomed out of the cult-worshiped music collective Elephant 6 in the late '90s, cart around a seven-foot-tall metronome for their shows, spin folky yarns about sideshow performers who can swallow cities, and serenade audiences with lullabies over the musical saw. Mary's Voice might be the Tapes' most accessible album yet, but it hardly conveys the magic of seeing them live.

Quick Reads: "The End of Men" by Hanna Rosin

| Mon Sep. 10, 2012 3:00 AM PDT

The End of Men: And the Rise of Women

By Hanna Rosin

RIVERHEAD BOOKS

In her 2010 cover story for The Atlantic, journalist Hanna Rosin dropped a bomb: Women, she declared, are taking over. Rather than focus on disparities in child care, pay, and power positions, her follow-up tours Rust Belt towns, where women are becoming the main breadwinners; Wall Street, home to a rising breed of "killer" female traders; and pharmacy schools, where women are poised to dominate a traditionally male career. Backed by workforce stats, her stories forge a convincing case that modern female aptitudes give women the advantage.

This review originally appeared in our September/October issue of Mother Jones. 

What's Next for Pussy Riot?

| Wed Aug. 29, 2012 2:12 PM PDT

So, maybe Pussy Riot's guilty verdicts and grim sentences to two years in a penal colony didn't come as too much of a surprise. It's kind of what you get when the court bars multiple defense witnesses from testifying, enlists experts to diagnose all three women with personality disorders, and considers the testimonies of those deeply offended by the band's "punk prayer" at Christ the Savior Cathedral after having only watched the event on Youtube. (For full background on the case, see our explainer.)

Alisa Obraztsova, a legal assistant on the defense team and Pussy Riot's copyright and intellectual property lawyer, told Mother Jones that the riot grrrls might have gotten harsher punishments if it weren't for the international attention on their case. The question that remains is whether Pussy Riot's lawyers will be able to appeal the conviction, and in a relevant time frame. Even worse, according to the defense team, is that the grueling penal colony conditions could result in injury or death for the three women.

The first step for Pussy Riot’s defense was to file an appeal to a higher court, as their lawyers did on Monday. Obraztsova says that this could result in the sentence being softened, maybe by half a year. Vladimir Lukin, Russia's Putin-appointed human rights ombudsman, has also publicly supported a decreased sentence. "We expect [a lesser sentence], but we are not sure," Obraztsova said. "You can never be sure in Russia. This is a totally political case."

"You do not ask pardon from someone who is doing this to your family, who is trying to break you," Obraztsova says. "They tell him to go to hell."

Obraztsova refers to the case as "telephone justice"—the kind in which decisions, irrespective of criminal code, are phoned in from Putin and his elite.

"There's every ground to believe that the ruling (two year sentence) as well as the following decisions are not reached in the courthouse," notes Maria Lipman, a Russia expert at the Carnegie Endowment for International Peace's Moscow Center. Lipman cites another recent political trial, the second of oil magnate Mikhail Khodorkovsky, as one in which the ruling was delivered by higher-ups. In 2011, the judge's assistant on the case admitted in an interview that Khodorkovsky's guilty verdict wasn't written by the judge.

"From levying exorbitant fines to signing laws that crack down on public meetings, there's a large wave of repression going on in Russia," says Alex Edwards, a spokesperson for Amnesty International USA, which has demanded the immediate relase of the Pussy Riot prisoners. "It doesn't start and it doesn't stop with Pussy Riot," he added. "It's a systematic crackdown."

If Putin and his courts don't see it fit to lessen the women's sentence (they've already served six months of it in pre-trial detention), the defense team has vowed to take their case to the European Court of Human Rights. But the problem there is two-fold: First, it could take two to three years for the case even to be heard—well after the women will have been shipped to penal colonies. Secondly, it's probable, notes Lipman, that the ECHR would just fine the Kremlin for the offense while the women remained in prison.

As for what happens in the penal colonies, Pussy Riot's lawyers feel it could be a matter of life or death. Obraztsova explains that it's likely the women would be split up among several prison camps, where they would stay in 100-person barracks with women convicted for murder, or other dangerous felonies. Then there's religious and anti-Pussy Riot fervor to consider. "A man was raped [with] a bottle of champagne in a police office," Obraztsova says, referencing the gruesome case from March in which a 52-year-old man died after being detained by Russian police. "What can we expect from the penal colony?"

Still, Pussy Riot won't be asking for Putin's pardon, and the defense team told Mother Jones that even Nadia Tolokonnikova's four-year-old daughter, Gera, doesn't cede to the Russian president; when asked who put her mother behind bars, she answers "Putin." When asked who Putin is, she replies simply that he's "a bad man."

Obraztsova puts it another way. "You do not ask pardon from someone who is doing this to your family, who is trying to break you," she says. "They tell him to go to hell."

Divine Fits' Britt Daniel is "93.5 Percent Rock and Roll"

| Mon Aug. 27, 2012 3:06 AM PDT
Britt Daniel, Sam Brown, and Dan Boeckner of Divine Fits.

I remember the first time I saw Spoon. I was 15 years-old and standing—well, somewhere between sandwiched and flailing—in the front row at their show in my hometown. Britt Daniel, with his Texas drawl, throaty wails, and lanky rock-and-roll radiance had, in that moment, become a god. "I was making eye contact with Britt Daniel," I boasted to my friend after the set. "Oh yeah? So was I," she said, her face flushed and proud.

I wanted to kill her.

Part of it was, sure, being 15. But the other memorable factor, the one that stuck, was experiencing that classic front man element, the Jaggeresque confidence and swagger that few can pull off. Daniel, iconic for turning out cache after cache of howling, infectious Spoon songs since the mid-'90s, can pull it off, and does so with finesse—as does guitarist and vocalist Dan Boeckner, formerly known as one of the main songwriters behind Canada's Wolf Parade and, more recently, the Handsome Furs. So when Daniel and Boeckner announced that they were forming a band called Divine Fits with New Bomb Turks' Sam Brown earlier this year, it was no surprise that the blogosphere immediately blessed them with "supergroup" status.

On the eve of the release of their debut album, A Thing Called Divine Fits, I spoke with Daniel about the band names they rejected, that one Pixies show that's stuck with him since college, and how this lineup liberates him as a musician.

Mother Jones: Dan once said in an interview that you became a fan of his after watching the Handsome Furs' "Dumb Animals" video. Why that video? And why'd you want to start a band with him?

Britt Daniel: For some reason it reminded me of something off of those dark Cure records—like records two, three, or four. So when I actually did meet him, I was just blown away by how friendly a guy he is. He's real outgoing, and came right up to me, and we just got along real well.

MJ: What do you guys bond over, other than music?

BD: [Laughs.] We both really like margaritas, and...okay, other than music, we both seem to really like Middle Eastern food. Okay, other than food and drink: tight pants.

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