Tim McDonnell

Climate Desk Associate Producer

Tim McDonnell joined the Climate Desk after stints at Mother Jones and Sierra magazine, where he nurtured his interest in environmental journalism. Originally from Tucson, Tim loves tortillas and epic walks.

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As Austerity Falters, European Economists Say "Price Carbon!"

—By Tim McDonnell

| Wed May. 16, 2012 3:00 AM PDT

Greek anti-austerity protesters clash with riot police in Athens. PIAZZA del POPOLO/Flickr

Turmoil over budget cuts roils Greek streets. France elects an anti-austerity president. Even Germany's Austerity Queen Angela Merkel faces electoral backlash. It appears Europeans are getting sick of tightening their belts. But when you can't cut any more, there's little else to do but hustle up more cash.

For governments allergic to raising income taxes, a European Climate Foundation analysis released yesterday shows there's a less painful way to slash deficits—one that could save the planet as it saves the economy: a carbon tax.

The report argues that reforming how Europe taxes energy could, by 2020, cut some countries' 2011 deficits in half. Spain, whose deficit reached $116 billion last year (the third-worst in Europe), could add $13 billion in yearly revenue under the recommended plan. As a bonus, the report found that carbon taxes improve energy security and can reduce climate-changing emissions by up to 2.5 percent.

Clearly a Europe in crisis needs a new idea, says economist Max Krahe of Vivid Economics, which co-authored the report. "There are smart ways of doing it and less smart ways of doing it."

Krahe suggests starting with a tax on household emissions, which in the three case-study countries in the report (Spain, Poland, and Hungary), aren't taxed at all, despite accounting for a quarter of Europe's total emissions. Household carbon taxes are a bit of a hard sell, Krahe admitted, because politicians are loathe to add new taxes where none currently exist.

The fear, he said, is that without a safety net higher energy bills would devastate the families already hit hardest by austerity: "In Eastern Europe, you're going to push some old grandmothers into poverty." But the tradeoff is that revenue could be looped back to Granny in the form of increased social services; under a similar scheme about to commence in Australia, over half the money raised from taxing carbon will be sent back to households via tax cuts and other assistance.

[Read more in the Blue Marble blog]

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Why Is the Government Killing Bald Eagles?

—By Tim McDonnell

| Fri May. 11, 2012 1:00 AM PDT

It's a sad fact of life in wildlife management: Every now and then, wild animals have to be killed for the sake of ecological or agricultural protection. "Culling," as it's known, is often a last resort and is usually carried out with a grim sense of necessary duty. After all, most wildlife professionals aren't big on the idea of killing wildlife.

Right?

An unsettling new investigation by the Sacramento Bee found that the federal Wildlife Services agency, an obscure bureau within the USDA tasked with "resolving wildlife conflicts," has in the last decade accidentally killed over 50,000 animals that posed no threat to people or the environment (in addition to nearly a million coyotes killed intentionally). The execution roster would make John Muir roll over in his grave: wolverines, river otters, migratory shorebirds, bald and golden eagles, and more than a thousand dogs (averaging eight a month!), including family pets. According to the Bee:

In most cases, [employees of the agency] have officially revealed little or no detail about where the creatures were killed, or why. But a Bee investigation has found the agency's practices to be indiscriminate, at odds with science, inhumane and sometimes illegal…because lethal control stirs strong emotions, Wildlife Services prefers to operate in the shadows.

"We pride ourselves on our ability to go in and get the job done quietly without many people knowing about it," said Dennis Orthmeyer, acting state director of Wildlife Services in California.

Officially, Wildlife Services exists to take care of things like aggressive bears, coyotes that eat a rancher's sheep, geese that won't get off the tarmac, etc. But the Bee reports that the methods the agency uses, like traps with spring-loaded poison cartridges, leave a grisly wake of bycatch, sometimes of federally protected species, that has been deliberately hushed up by top officials. Even people are at risk: 18 employees and "several members of the public" have been exposed to cyanide from the traps.

[Read more in the Blue Marble blog]

Can Real-Time Pricing Green the Grid?

To address climate change, don't forget the largest, carbon-spewing machine on earth: the US electric grid.

—By James West and Tim McDonnell

| Wed May. 9, 2012 12:01 AM PDT

Photo: James West

Unless you've been living off the grid, you've probably heard about President Obama's "all of the above" plan for America's energy future, which embraces everything from oil drilling and natural gas fracking to wind, solar, and even pond scum. In the last couple years the Obama administration has pumped billions into cutting-edge clean energy tech. But these all share a common problem: plugging into an electric grid that is mostly unchanged since the 1930s. Energy experts say meeting our carbon-footprint reduction goals will remain a pipe dream until we can revamp electricity distribution. The solution? The "smart grid," a nickname for a sweeping series of updates on everything from power stations to the meter in your home, which promises to save power and money by being sensitive to your energy use.

In the second installment of Climate Desk's Future Energy series, see how America is modernizing the largest machine on the planet.

Have a question about your energy future? Drop us a line.

Book Review: Home

—By Tim McDonnell

| Mon May. 7, 2012 3:00 AM PDT

Home

By Toni Morrison

ALFRED A. KNOPF

Nobel laureate Toni Morrison is known for novels in which female protagonists struggle to wrest control of their lives from an establishment bent on their destruction. Home, by contrast, tells the story of Korean War vet Frank Money, who returns from the battlefield plagued by visions of his friends' deaths and a disturbing episode that cuts at the roots of his sexual and moral identity. While his demons are mostly internal, Money still struggles to find a place in a society where "there was no goal other than breathing, nothing to win...nothing to survive or worth surviving for." Salvation awaits, however, in his tiny Georgia hometown.

Jack White Goes It Alone (Kinda)

—By Tim McDonnell

| Mon Apr. 30, 2012 3:05 AM PDT

Jack White

In 2011, the White Stripes called it quits. "It was necessary to announce that the White Stripes didn't exist anymore for me to really put myself out there as a solo artist," frontman Jack White told Rolling Stone.

By then, White had carved a niche for himself as an artist in his own right, making the rounds between two high-octane rock n' roll bands, The Raconteurs and The Dead Weather, and at last founding a brick-and-mortar outfit for his eight-year-old private label, Third Man Records, in Nashville. But he hadn't yet done the thing one would most naturally predict from a solo artist: a solo project.

That changed last Tuesday with the release of Blunderbuss, White's "debut" album as a solo artist. It's a wild-eyed, lushly orchestrated work that tends to showcase White's ear as a songwriter over his hand as a guitarist. Both talents were on display Friday night as White and his vast and fluid retinue of backing musicians played New York City's Webster Hall.

The small, dim space was sold out to a crowd of black-leather-jacketed punk rockers, moms with cargo pants tucked into combat boots, greasy hippies, and a healthy contingent of clean-cut white kids who looked to have walked off the set of Girls. Photographers circulated with Polaroid cameras, leaving behind a wake of happy couples shaking negatives. Whispers (unconfirmed) circulated that Jim Carrey was quaffing champagne on the balcony. The show was broadcast live on YouTube; one might not have noticed but for a moment just before the first set when a screen descended and played a Jack White music video, presumably being watched simultaneously by eyes from Tulsa to Tokyo, for which, in a bizarrely meta twenty-first century moment, we all clapped.

Opening the show were The Black Belles, a Third Man Records-produced trio of white-faced, black-lipsticked femmes fatales who looked like they ditched out on Slytherin Quidditch practice to ride down to the Lower East Side on broomsticks, smoking cigarettes and blasting the Sex Pistols. Their set left behind a vague scent of premature Halloween. This was compounded by the stage hands, who drifted about in a fog of dry ice and sported porkpie hats and prodigious beards, as if the fresh ghost of Levon Helm were keeping watch in the wings.

[Read more in the Mixed Media blog]