In this week's edition: very low bass noises, very high singing, very old school samples, and very weird music from the desert. I'm also very late putting it together, so I'm too tired to try and elucidate a theme from my random picks as usual; if anybody can see one (other than, er, 'pretension"), let me know.
10. Gram Rabbit - "Something Fuzzy" (from RadioAngel and the RoboBeat, out 11/13 on Royal Order)
(Listen at their MySpace)
This Joshua Tree-based combo, led by the charismatic Jesika von Rabbit, are known for their quirkiness, but this track finds them a little calmer and more focused. The electro backing buzzes along under Ms. Rabbit's whispered vocals, and then new guitarist Ethan Allen comes in with a straightforward melody, and the song opens up, like driving over a hill into a desert valley.
9. Kanye West feat. Chris Martin - "Homecoming" (from Graduation, out tomorrow on Island Def Jam)
(Grab an mp3 at Goodnight and Go)
Okay, okay. Yes, we're all tired of Coldplay, but on this track, Chris Martin just seems to give up and become Phil Collins, and actually it kind of works. In fact, this is basically Genesis' "That's All" with a beat. Anyway, Kanye delivers some heartfelt lines in an ode to his hometown of Chicago, feeling guilty for leaving, and the track's strange mix of emotions proves why Kanye's such a compelling figure in contemporary music, tantrums and all.
8. Mock & Toof - "K Choppers" (from the Death From Abroad 12" on DFA)
Songs on DFA records, whether they're hits from LCD Soundsystem or random 12" singles, share a common thread: an understanding that the depths of disco contain a limitless sonic pallette, and that even a simple track, crafted with care, can be revelatory. Case in point: "K Choppers;" it doesn't do much, except build a kind of spooky, spacey mood over 6 minutes, kind of like a more mellow "Night on Disco Mountain." And that's enough.
7. Grit Boys feat. Trae & Tum Tum - "I'm Fresh" (single on Mo Betta Grooves) (Listen on their MySpace or iTunes)
I don't care what they're saying, I don't care what they stand for, I don't care about anything. Alls I know is this song's got a single bass note that slides down a whole octave until resolving itself at a throbbing, speaker-killing frequency, somewhere between whale stomach rumble and earthquake. You don't really get the full effect from the poor-quality MySpace version, and you probably can't hear it on computer speakers, but the next time you're on iTunes and connected to a system with some bass, just give it a try. Boooooowwaaaaammmm.
6. Thurston Moore - "Wonderful Witches" (from Trees Outside the Academy, out 9/18 on Ecstatic Peace)
(grab an mp3 here)
What separates a Thurston Moore song from a Sonic Youth song? Kim stays home? Is that it? Well, judging from this track, he's a little looser, which makes sense. "Witches" has a shambolic, and oddly quiet feel to it, although it manages to squeeze some great riffs, a feedback freakout, and a big guitar solo into its 2 minutes and 26 seconds.