PROFILE: BERNARD LEWIS
British Svengali Behind
Clash Of Civilizations
by Scott Thompson and Jeffrey Steinberg
On Nov. 19, octogenarian British Orientalist spook Bernard Lewis wrote an elaborate apologia for Osama bin Laden, a fervent pitch for the inevitability of the "Clash of Civilizations," in the pages of New Yorker magazine. Under the headline "The Revolt of Islam," Lewis lied that the emergence of "Islamic terrorism" in the recent decades, is completely consistent with mainstream Islam, which is committed to the subjugation of the infidels to Islamic law. He went through 14 pages of a fractured fairy-tale history of Islam, quoting bin Laden's Oct. 7, 2001 videotape, where the Saudi expatriate spoke of Islam's "humiliation and disgrace ... for more than 80 years"—a reference to the crushing of the Ottoman Empire by Britain and France in 1918. Lewis invented a tradition of jihad, "bequeathed to Muslims by the Prophet":

"In principle," Lewis explained, "the world was divided into two houses: the House of Islam, in which a Muslim government ruled and Muslim law prevailed, and the House of War, the rest of the world, still inhabited and, more important, ruled by infidels. Between the two, there was to be a perpetual state of war until the entire world either embraced Islam or submitted to the rule of the Muslim state." Among all the different "infidels" ruling the House of War, Lewis asserted, Christianity was singled out as "their primary rival in the struggle for world domination." Lewis cited slogans painted on the walls of Jerusalem's Dome of the Rock from the Seventh Century, assailing Christianity.

Lewis then claimed that the evolution of modern Islamic terrorism, specifically the al-Qaeda terrorism, had a long proud history within Islam, dating to the Assassins cult of the 11th-13th Centuries. (Lewis wrote a 1967 book, The Assassins, extolling the virtues of this secret society.) He also identified Saudi Arabia and Egypt as two regimes legitimately singled out by the Islamic jihadists, for their corruption by "modernism."