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Half of a Yellow Sun

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MJ.com: So what do you see as the role or responsibility of the United States and Europe in Africa today?

CA: I find it kind of exhausting how Africa is always this basket case of chaos and war and starvation. If you depended on the American media for a portrayal of Africa, you would end up thinking, “These people are so stupid, how do they get themselves into these things?” One thing that never pushes through is a view of Africans as entirely human. On the one hand, the West recognizes that we’ve had really horrible leaders. On the other hand, the money that the leaders steal from our countries is stashed away in the West. And we’re lectured on free trade by the same countries whose governments very often subsidize things like their farmers and such. I’m also really uncomfortable with the focus on aid. I don’t like the idea that somehow Africans are people that we have to keep giving out gifts of money to. I feel that one has to make it easier for Africa to participate in global trade. I mean, it’s so complex, but I just get so uncomfortable watching Africa portrayed like this.

MJ.com: Right, the “Save the Children” commercials.

CA: Right. And I sort of think to myself, “God, if I were not African, I wonder what I would think about these Africans.” You know?

MJ.com: So where do you see yourself in the great tradition of Nigerian political writers? Are you a political writer?

CA: For me, I’m writing a story about human beings. But then, when you’re talking about the Biafran period in our history, you can’t write without it becoming political. There are some countries where politics doesn’t really play a direct role in the life of people, so people can carry on without really knowing what’s going on. Nigeria isn’t that kind of country. I think the U.S. is becoming more and more like that too, where more and more people are interested in what’s going on than before. Now that there’s Iraq and there’s 9/11, people are more in tune. In Nigeria, people are more like that. Young people who are 15 talk about politics and know about politics and know the name of the ministers because it’s so important—the things that happen affect them. If the government doesn’t fund education, which they often don’t, students are going to stay home and not go to school. It affects them directly. But I’m really not interested in writing explicitly about that. I’m really interested in human beings, and in love, and in family. Somehow, politics comes in.

Rina Palta is a freelance writer in San Francisco.



 

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This is a book not only breath taking but also very educating.This book has rekindled an interest in me to read more books about war.
Posted by:Kanu,Orji.ChineneyeJune 9, 2007 6:50:44 AMRespond ^
i read this book and fell inlove with all of the characters; kainene and richard the most. as a nigerian of igbo and yoruba decent, i did not really get an accurate picture on the war i only heard about it in passing. but this book enlightened me immensely. its educating as well as about love and it is so finely written, that it makes it all the more amazing. this is an important book for future generations becuase it blends in culture, politics, family and love without being profane. this is truly an important work of masterful literature and i am honoured to have read it.
Posted by:atinukeJune 11, 2007 6:13:29 AMRespond ^
Reading this interview has excited me to the point of reading this book and has changed my thoughts about returning to my fore-father country. I am believed to be Igbo thru family research, uncomplete.
Posted by:PhilJune 14, 2007 5:59:12 AMRespond ^
This was a really inspiring interview on both parts. The questions that were asked had a great deal of importance pretaining to the book as well as issues that existed and still do. The answers that were given by the author were so incredible. I did not know that she had a previous book before half of a yellow sun. I am definately going to read that now. Although I am not african, I can totally relate to how she feels about how media portrays africans as something of a charity case. It gets me annoyed quit often. Any books that she writes in the future I am going to read.
Posted by:Franz CasimirJuly 29, 2007 9:04:43 AMRespond ^
It is refreshing to learn of the birth of a new breed of thinkers of her like, opening pages of history were few have dared go in this age of political correctness. Even more sobering is the realisation that the fabric of her story is grounded in the kind of political philosophy that trancsends most if not all of contemporary Africa's political economy wrapped up in endless cycles of 'aid' and 'debt-forgiveness'. People of her extraction are in shot supply.
Posted by:Noble BakoAugust 10, 2007 4:32:42 PMRespond ^
Not only am i proud of the young lady who has made NIgerians proud with her talent, but also she has represented the youths of the Nigerian economy,and also has succeded in conveying to the world what actually happened, and how the people of the eastern Nigeria felt the impact of the war.Thanks for telling the untold story.
Posted by:ToschfrankAugust 29, 2007 11:48:18 AMRespond ^
Adichie is definitely a pacesetter. This book has affected me in a way, I could not have thought possible. One thing is certain, Biafra war is indeed a war nobody seems to like to talk about and the younger generation know close to nothing about. I thoroughly enjoyed reading it. I cried, laughed and pondered.Quite informative.
Posted by:OlabisiAugust 29, 2007 12:08:00 PMRespond ^
avant-garde!chimamanda creates a dynamic piece of art that i fear to call fiction.carefully woven and shown are details of previously merely imagined tales of events that have structured our collective past in nigeria.i am intrigued by her delineation and combination of voices that form the narrative.PERHAPS! she came just at the right time.she leaves me wondering- where is the other half of the yellow sun?
Posted by:okharedia ehizojieOctober 31, 2007 4:20:34 AMRespond ^
I feel very happy to have come accross this interview with such an outstanding literary scholar and writer.i am particularly happy because right now i am working on my masters degree thesis with this her book.The book has given me a great insight into the Nigerian civil war which i know little or nothing about before now.I encourage her to keep it up.BRAVO!
Posted by:AKAZUE TOCHUKWUNovember 15, 2007 2:39:22 AMRespond ^
when i read Half of a yellow question n got to the end, i wept. so i ave just one question for the author.. what happened to Kainene? i'm in a state of distraught as it is....
Posted by:tejumade oyedejiJanuary 29, 2008 4:08:01 AMRespond ^
God!! did all those horrors depicted in d novel really happened during the biafran war? tell me its just a total fiction!!!!!!!!!!
Posted by:tejuJanuary 29, 2008 4:14:18 AMRespond ^
abour the main concern of chimamanda ngozi adichie in half of a yellow sun.
Posted by:anidi veronicaFebruary 23, 2008 2:54:56 AMRespond ^
i have read this book and also purple hibiscus. they are books u sldnt miss,co they are very interesting.keep on the gud work rita.
Posted by:jibolaApril 5, 2008 11:12:25 AMRespond ^
when i read your first book i was like cool and so when half of a yellow sun came out i immediately got my copy and i dont regret doing that. i love the way u described the beauty of the love olanna had for baby, the way you depicted the sufering. i love your use of words, the comic relief....the personalities you gave the character...i love the way you described the patriotism of the igbo's to ojukwu even when they knew he was wrong...i loved the character of the house boy. the culture...the truth is i loved everything about the book and i cant say how many time i have read it ..you deserve the noble prize... i loved the way you made me through your writing picture the war, you drew my attention to so many igbo factors....i love this book and i love you for writing a book like this... GOD BLESS YOU
Posted by:funmi ujuApril 7, 2008 5:45:01 AMRespond ^
it is captivating
Posted by:anigilaje rasheed olanrewJune 27, 2008 7:33:38 PMRespond ^

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