Was Friday Night Lights Xenophobic?
Friday Night Lights ended its fifth and final season last week. Needless to say, we're devastated. But as a small consolation, the show's ending means that lots of people on the Internet are now posting long-winded scribblings about what it all meant.
Over at Time, James Poniewozik makes a bunch of interesting points in his eulogy for the show, but I have to take issue with his grand takeaway:
The underlying theme is, we need each other. Everyone, even a teenager, is part of a web of dependence. You could see the show, from the right, as an example of how the best social programs are a job, a family and self-discipline; you could see it, from the left, as an argument for the crucial importance of an under-funded government institution, the public school. You would be right both ways.
I suppose I agree with this in a micro-sense—the show is about relationships, not football—but I think the larger point is that FNL didn't so much bridge the red state-blue state divide as sidestep it. Given how overtly political the original book was, that took some work. The real-life inspiration for Tim Riggins took Buzz Bissinger hunting and complained that Americans don't make things anymore, while lamenting the fact that we didn't finish off the Japanese when we had a chance. Bissinger described a town gripped by a tea party-like fervor twenty years before the tea party, but the Dillon, Texas of FNL is exceptionally apolitical.