"Project X": Drunk, Foul-Mouthed Nerds Seduce Hot Girls and Blow Stuff Up
This weekend, you could go see the highly anticipated The Lorax, with all its Truffula tufts and fleecy anti-greed morality.
The new animated movie has a stout, gremlin-type creature talking how bad it is to screw over wildlife for profit. The CGI is truly eye-popping. And there are a whole lot of gyrating bears. So, yes, you should go see The Lorax. You absolutely should do that.
You totally, definitely should.
Or, you could succumb to 90 minutes' worth of bi-curious girls, rowdy gentlemen, loud music, self-destruction in the suburbs, booze guzzled, pills popped, and cops in riot gear. (In short, all the things that make life worth living.)
And just to be perfectly clear, this movie isn't a remake of the other Project X, a 1987 film in which Helen Hunt and government-trained super-chimps almost trigger nuclear catastrophe. This year's Project X is steeped in a far greater realism: Three chemically altered nerds throw a house party with 1,500 other horny teenagers and almost burn an entire neighborhood to the ground in the process.
The film, produced by director Todd Phillips of The Hangover and Old School fame, is shot in contemporary found-footage/mockumentary mode—think: cinéma vérité, by way of Cloverfield and Parks and Recreation. If you've seen Revenge of the Nerds, Risky Business, and Superbad, you'll recognize the plot: Three high-school outcasts seek to up their social standing and prove to "bitches" that they are "large-scale ballers." So when one of them gets the family home all to himself on his birthday, the boys invite half of LA to attend their all-night blow-out. After some mass-texting and old-fashioned word of mouth, they wind up with a carouse so epic—two DJs, a "Naked Girls Only" pool, a moonbounce, every harmful substance imaginable—that Kanye West is rumored to be in attendance.