Review: Magic Trick's 'Ruler of the Night'
The city that spawned the original psych-rock scene is at it again with a burgeoning group of bands and artists playing psych-pop, weird rock, and all manner of arty, eccentric takes on classic song structures and themes. Tim Cohen is one of the mainstays of this new scene: In addition to playing with the Fresh & Onlys, he started Magic Trick, initially a solo project in his apartment studio that gradually expanded to include San Francisco musicians James Kim, Alicia Vanden Heuvel, and Noelle Cahill. The band's new album, Ruler of the Night, is its second full-fledged effort after a couple of Cohen-only records.
As magic tricks go, this is a sleight of hand rather than a grand illusion—that is, one that enchants and delights in small, subtle ways, but only occasionally gives cause for outright marvel. The album is anchored by Cohen’s deep, resonant voice, often distant and washed in reverb, while tambourines, washboards, and multi-part harmonies take songs in unexpected directions. Sometimes the experimentation doesn't quite work—the quiet, twanging song "Next to Nothing," for example, is sprinkled with a distractingly obtrusive sound effect—but usually it adds a welcome note of the uncanny to catchy but otherwise straightforward pop-folk tunes.