Nobody disputes the greatness of the Pixies, but the Breeders are, it must be said, underappreciated. Their first album, 1990's Pod, is an innovative and listenable gem, proving Kim Deal had a unique songwriting style, more melodic and lighthearted than the Pixies. This is even more evident on the title track from their 1992 EP Safari, a hypnotic, almost Krautrock-y number more in tune with their UK contemporaries. Of course, 1993's Last Splash was the commercial breakthrough, but remember what an unlikely hit "Cannonball" was: a bendy guitar melody that evoked My Bloody Valentine, and winking vocals that seemed like an in joke. Of course, the Breeders' story gets complicated after that, seeming to mirror the general state of alternative rock as the '90s progressed: drug problems, side projects, aborted attempts at reconvening. A reconfigured Breeders released Title TK in 2002: a far less ambitious work, not without its charms, but very different from classic Breeders. Could the worldwide hysteria for the Pixies reunion have rubbed off on Kim a little, giving the new album some of the old playful confidence?