Mixed Media

Video: Yeah Yeah Yeahs - "Zero"

| Mon Mar. 9, 2009 4:50 PM EDT


Commenters raked me over the coals last week for daring to give a lukewarm review to the new Yeah Yeah Yeahs album, the electro-inflected It's Blitz, so I figured I'd make it up to them by posting the just-released video for lead single "Zero." The driving, new wave-y track is a highlight of the album, for sure, and the video is worth watching just to see Karen O get all spiffied up in her spiked gloves, plastic dress and leather jacket and then go all Chrissie Hynde on top of a car. By the way, apparently due to the wide availability of the album's early internet leak, the official digital release of It's Blitz has been moved up from April 13 to tomorrow. Other reviews, by the way, have been slightly more positive than mine: while I was kind of in the 6/10 zone, Paste gives the album 72/100, and The Observer hopes it will catapult the band into "the big leagues." I'm totally down with that.

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Signs of the Econapocalypse, Part II: The Resurgence of Swing

| Sat Mar. 7, 2009 9:48 PM EST
Yesterday, Nicole McClelland pointed out that there appears to be a direct relationship between tie width and economic prosperity, as well as indications that both hemlines and lipstick sales rise when finances fall. It got me to thinking: what other cultural trends might correspond to recessions? Glancing around the iTunes Top 100, there's one recent pop music phenomenon that may be a candidate: the swing, or "shuffle" rhythm. Okay crazy, you're thinking, big band hasn't exactly taken over the pop charts. Indeed, but stay with me: I'm just talking about the meter. In swing rhythms, each beat is separated into triplets, rather than 8th or 16th notes. Most pop music falls into the latter category, but every once in a while you get a track with swing: Gary Glitter's "Rock and Roll Part 2," for instance. However, recently, there has been a barrage of straight up pop hits utilizing the swing rhythm: Katy Perry's "I Kissed a Girl," Britney Spears' "Womanizer," Pink's "So What," and the current #1 song in the U.S., Flo Rida's "Right Round," which manages to add a swing rhythm to the robotic Dead or Alive original. (Listen to these tracks below). This is in addition to alt-rock tracks by Seether and Panic at the Disco, and even a new strain of underground drum 'n' bass that uses swing time, something almost unheard of in electronic music.

The Skinny Tie Is Officially Back!

| Fri Mar. 6, 2009 6:21 PM EST
Skinny Ties Yes! Thank you, econapocalypse! Photos used under a Creative Commons license from Flickr users endlessstudio, sheenabizarre, spunkinator, goldberg, and tantek.

Mick LaSalle vs. A.O. Scott on Watchmen

| Fri Mar. 6, 2009 5:32 PM EST
In a world, where two movie critics, see the same movie, but form two, very, different, opinions, one review, holds the key... LaSalle: Director Zack Snyder ("300") is beginning to look like the best thing to happen to the action movie in this decade. Scott: I wouldn't say that Mr. Snyder's "Watchmen" is a good movie, though it is certainly better than the same director's "300." LaSalle: One could say that the filmmakers' strategy in "Watchmen" is to try to hold the audience's attention, not with a great story (the story is just OK), but with great scenes. Scott: If I had [Dr. Manhattan's enhanced temporal perspective], the 2 hours 40 minutes of Zack Snyder’s grim and grisly excursion into comic-book mythology might not have felt quite so interminable. LaSalle: [Snyder] had a strong advantage going into "Watchmen," an audacious adaptation of the graphic novel of the same name. Scott: There are times that the filmmakers seem to have used [the original] book less as an inspiration than as a storyboard. LaSalle: Advisory: This movie contains simulated sex. Scott: “Watchmen” features this year’s hands-down winner of the bad movie sex award, superhero division: a moment of bliss that takes place on board Nite Owl’s nifty little airship, accompanied by Leonard Cohen’s “Hallelujah.” LaSalle: The viewer has been infused with a sense of life on earth as chaotic and hopeless. Scott: Perhaps there is some pleasure to be found in regressing into this belligerent, adolescent state of mind. But maybe it’s better to grow up. LaSalle walks away, dejected. Fade to black.

Listen to Upcoming Sonic Youth Album (In Pieces)

| Fri Mar. 6, 2009 4:43 PM EST

The legendary New York combo Sonic Youth is planning to release what appears to be their 16th studio album The Eternal on June 9—is Confusion as a Sex a full-length? Anyway, June seems like a million years away, but thankfully we've been given a little jolt of Sonic goodness to tide us over. The band has released a two-and-a-half-minute audio clip containing excerpts of tracks from the album, which, as you would expect, is both great and annoying. There are plentiful moments of shiver-inducing guitar work and eyebrow-raising lyrics (did Kim just say "anti-war is anti-orgasm"?) but I want it all, and I want it now! Actually, as Newsweek (from whence this stream comes) pointed out, the little medley is itself rather artfully composed, with the various clips rolling into each other, if not exactly smoothly, then at least interestingly. So that's something.

Your absurdly-named DJ was a mega-fan of der Yoof's last platter, 2006's scrappy, hooky Rather Ripped, an album that was both a return to form and a bold, accessible step forward. From the wee clippies in this little montage, The Eternal sounds a little edgier, with about equal time given to hectic rock-outs as strummy jams, but I can already tell it's going to be another good one. We're coming up on 30 years of fine material from this band, and still no Hall of Fame?! Goes to show.

Like I said, The Eternal is out June 9 on Matador, and if you buy early (starting April 28) you get extra goodies and a full preview stream, I guess is what Matador wants me to tell you.

One Good Thing About the Death of Newspapers

| Wed Mar. 4, 2009 1:30 PM EST
Bad thing about the death of newspapers: No more beat reporters to hold cops accountable.

Good thing: David Simon comes out of retirement to kick some ass on the streets of Baltimore.

In a recent Washington Post article, The Wire creator and former crime reporter looks into the shooting of an unarmed man by a police officer. The police department says it can't reveal the cop's identity; Simon calls BS and does the digging no other reporter—or blogger—is doing. And he concludes: "Half-truths, obfuscations and apparent deceit—these are the wages of a world in which newspapers, their staffs eviscerated, no longer battle at the frontiers of public information."

Amen. Every time a beat reporter gets canned or a daily is shuttered, a public official smiles. More of Simon's conclusions about the death of accountability journalism after the jump.

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New Music: The Prodigy - Invaders Must Die

| Tue Mar. 3, 2009 5:57 PM EST
Today witnesses the long-awaited return of an alternative-radio behemoth who sold millions of albums, a band that was once hailed as the"next big thing" but kind of went away, and now is releasing a new album, hoping to recapture a little of the original mojo. If you somehow missed the headline, you might have thought I was talking about Irish egoistes U2 (whose HRC-saluting No Line on the Horizon comes out today), but no, I'm speaking of The Prodigy, the UK combo that, along with The Chemical Brothers and Daft Punk, broke through the grunge-rock hegemony with a crowd-pleasing brand of arena-techno in the mid-to-late '90s. However, among their "Electronica" comrades, The Prodigy is a unique concept: a one-man band with roots deep in the UK underground rave scene that became, depending on your perspective, cynical sellouts, a fun show to see in between Foo Fighters and Oasis concerts, or a brilliantly successful KLF-style theatrical art-prank. Their new album, the charmingly titled Invaders Must Die, bugs me, but I'm not sure it's terrible, and the wild mix of reviews confirms the band's slippery meaning.

On the one hand, to even the most patient fan of hardcore electronic noise (hi there!), Invaders is cartoonishly brutal. There are song titles like "Warrior's Dance" and "Run With the Wolves"—is Robert Bly a co-writer? Rolling Stone correctly identifies the album's sound as "pummeling, vacuous rave noise," and ascribes the ridiculously thumpy title track to the same empty posturing that brought us 1997's controversial "Smack My Bitch Up." They give the album 1 1/2 out of 5 stars. On the other end of the spectrum, Spin looks kindly on the band's "anthemic breakbeat spazz," acknowledging that it's "retro" but giving props to founder/producer/everything-but-dancer-and-screamer Liam Howlett's programming skills and awareness of musical history, offering 4/5 stars. Pitchfork comes right down the middle with a 5.8/10 review, calling the more sonically extreme sections of the album "lunkheaded," but hearing echoes of the band's first album, 1992's ravey, silly, and wildly enjoyable Experience.

Barry Manilow as a Weapon of Mass Destruction

| Tue Mar. 3, 2009 11:45 AM EST

Barry Manilow, the coiffed, ever-young hero of blue-haired old ladies the world over, could live to see his music transformed from drunken pub fare into the newest innovation in crowd control, according to the Associated Press. A shopping mall in the New Zealand city of Christchurch is reportedly having trouble with juvenile delinquents spreading trash, getting drunk, getting high, tagging walls with spray paint, and talking filth to local shoppers. The solution? Pipe in hits like "Mandy" and "Can't Smile Without You," which, like this obnoxious tone said to be the scourge of teenage ruffians everywhere, will (it is hoped) clear the area of smack-talking punks. Paul Lonsdale, manager of the local business association, denies that Manilow was selected to drive teenagers crazy. "The intention is to change the environment in a positive way... so nobody feels threatened or intimidated," he says. "I did not say that Barry Manilow is a weapon of mass destruction."

No, for that look to some other acts, like the Red Hot Chili Peppers, which the CIA used to bully Al Qaeda leader Abu Zabaydah into spilling his beans (along with other forms of "enhanced interrogation"). We should also not forget that Van Halen, Whitesnake, and Black Sabbath, among others, ultimately convinced Panamanian strongman Manuel Noriega that he'd rather spend the rest of his life in a federal supermax than sit through another minute of "War Pigs."

Will such tactics work on Christchurch's problem children? Doubtful if we believe 16-year old Emma Belcher. "We would just bring a stereo and play it louder," she told the AP.

Photo used under a Creative Commons license from Alan Light.

Red States Love Porn

| Mon Mar. 2, 2009 6:21 PM EST

They're red from all the chafing! In the latest installment of Irony and Hypocrisy Weekly, a study has shown that traditionally conservative states consume the most online pornography. Okay, the study (pdf link) was actually in the Journal of Economic Perspectives, and it looked at zip codes of credit cards used for "online adult entertainment" between 2006 and 2008. Researchers found that Utah led the way in sexy interweb fun times, with 5.47 subscribers per 1000 broadband users, followed by Alaska and Mississippi. Out of the top ten porn-using states, only Hawaii and Florida voted for Obama in the 2008 elections, and I think Hawaii is excused because they're so far away from, you know, actual sex with people they don't live next door to. Of course, one could also ascribe the higher online porn usage rates in red states to the simple fact that these states have often made in-person porn buying more difficult, but I prefer to think of it as another example of Larry Craig Syndrome: those who doeth protest too much are at home having a wanketh.

Researchers also found "marginally" higher porn subscription rates in the 27 states that had (at that time) passed anti-gay marriage laws, and in states where surveys show conservative positions on sexuality and gender roles. But in a boon to church-goers, there was also a slight dip in porn subscriptions on Sunday, although the oh-so-cynical researchers noted that this meant only that these people "shift their consumption of adult entertainment to other days of the week." Note to self: promote online porn company more aggressively on Saturdays and Mondays.

China Cancels Oasis Gigs Over "Free Tibet" Show

| Mon Mar. 2, 2009 5:52 PM EST

Wow, China never forgets, huh. Beatlesy British combo Oasis have had their first ever shows in the People's Republic of China canceled after the Chinese government revoked their performance licenses. The band's management issued a statement saying the decision "has left both Oasis and the promoters bewildered." But, according to Billboard magazine, band member Noel Gallagher had a deep, dark secret:

According to the promoters, officials within the Chinese Ministry of Culture only recently discovered that Noel Gallagher appeared at a Free Tibet benefit concert on Randall's Island in New York City in 1997. Consequently, Oasis is considered unsuitable to perform in the People's Republic of China during its 60th anniversary year.

If only it was just their 59th, right?

After the jump, a video from the band's most recent album, the underrated Dig Out Your Soul.