Mixed Media

New TV on the Radio Picks Up Where Beck Left Off

| Wed Aug. 20, 2008 4:28 PM EDT

mojo-photo-tvontheradio.jpgNew York combo TV on the Radio made my #2 album of 2006, so when I learned that a track from their upcoming album, Dear Science, was available to stream on their web site, I clicked over there as fast as my mouse could take me. First of all, what's the deal with indie rock bands and wedding announcement fonts? Are they trying to steal a little bit of Ellen DeGeneres' blog fire? Okay, just had to get that out of the way. The song, "Golden Age," is a little more accessible and straightforward than the angst-ridden material on Cookie Mountain; it's got a jaunty little beat and buzzy synths reminiscent of Beck's "Hell Yes," although unlike that song's focused, quirky minimalism, "Golden Age" builds and builds until the whole band is singing along with a crazy horn section. I'm having a bit of trouble making out the lyrics, although at one point Kyp appears to rhyme "natural disaster" with "ghetto blaster," which deserves an award in and of itself. Either way, this is at least my song of the month.

Dear Science is out September 23 on Interscope. After the jump, Beck's "Hell Yes" for comparison, and TV on the Radio's "Wolf Like Me" from 2006's Return to Cookie Mountain, just for fun.

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Hooray: Rachel Maddow Gets Her Own MSNBC Show

| Tue Aug. 19, 2008 6:37 PM EDT

mojo-photo-maddow.jpgNothing against Dan Abrams. Air America host Rachel Maddow will be taking over Abrams' 9 p.m. slot on MSNBC effective, like, right away: Abrams will sign off Thursday and Maddow will kick off her show September 8. The move has long been rumored since everybody thought she was awesome, and Abrams will stick around in a general manager role. Everybody's happy!

After the jump: More praise for Maddow, and watch her take down Pat Buchanan.

Whut If Barack Wuz a Kitteh?

| Tue Aug. 19, 2008 2:05 PM EDT

drinksaway.jpgThe lead-up to the convention just got a little weirder. Adorable, but weird. Check out Slate's video of "Pol Cats: The Treadmill." It's a "satire" of Hillary and Barack's political aspirations, as illustrated by two felines running on a treadmill. Hillary is a fluffy calico, and Barack is a black cat with tiny white socks. If we wanted to get literal, the Barack cat should be half-white, but hey, they're running on a freakin' treadmill. The video's not hilarious, but it's probably more entertaining (and infinitely cuter) than the slew of post-convention political commercials that's in our future.

(Image courtesy of lolcats4obama.com)

Your New Favorite Band: Glasvegas

| Mon Aug. 18, 2008 7:46 PM EDT

mojo-photo-glasvegas.jpgLike with most things, I'm a little late to the party on this one. This Scottish quartet came in 4th in the BBC's "Sound of 2008" poll, and NME ranked the first version of their single "Daddy's Gone" as their #2 song of 2007. Well, Alan McGee was way ahead of everybody: the Creation Records svengali who discovered Oasis spotted them in 2006. But there's still time to get on board before the backlash!

If you're wondering, here's what they sound like to me: imagine the Jesus & Mary Chain got off the drugs (mostly) and did some songs with Billy Bragg. There's a homey, folksy, eternal quality to their music, but the fuzzy almost-rockabilly sound lines them right up with hipsters like The Raveonettes. But while those two live out their '50s cinematic fantasies in their lyrics, Glasvegas sing about what they know, with a brutal plainness that Hemingway might have admired. "Daddy's Gone" offers no resolution, just emotion: "To see your son on Saturdays/What way is that to live your life?" New single "Geraldine" floats in on a Brian Eno-style whisper of guitar noise, and the stadium-size chords are definitely reminiscent of U2. But lead singer James Allan has a thick Scottish brogue that seems to double the syllables: "My name is Geraldine, I-eem yee-er sow-cial woer-er-kerrr!" Now that, my friends, is an accent.

The band are planning a quick tour of the East Coast in September and October, and while they just signed to Columbia, apparently the debut album won't be out until 2009. Oh well. Watch some videos after the jump.

New AC/DC, G N' R Albums To Be Wal-Mart Exclusives?

| Mon Aug. 18, 2008 6:27 PM EDT

mojo-photo-walmart.jpgLet me get this straight. The music industry is in crisis, as sales plummet and stores consider eliminating CD sections entirely. Artists with name recognition are exploring new avenues of distribution, bypassing the retail store entirely. So, say you're a beloved rock band with a highly-anticipated new album coming out. What do you do? How about you force your fans to jump through ridiculous hoops and go on a freakin' retail scavenger hunt just to track it down? Brilliant! And thus, AC/DC is requiring that anyone interested in their first new album in eight years, Black Ice, to get in the SUV and head out to Wal-Mart or Sam's Club to pick it up (starting October 20th, for $11.88). Not to be outdone, Guns n' Roses are in the midst of negotiations with either Wal-Mart or Best Buy for exclusive retail rights for the mythical Chinese Democracy. Ah, the music industry: answering complaints that its business model is inconvenient by making things more inconvenient. Well, just you wait; when I release my album, it will only be available on a ledge halfway up the side of K2.

New U2 Recorded By Some Guy Walking Past Bono's House?

| Mon Aug. 18, 2008 4:00 PM EDT

mojo-photo-bono2.jpgThis is silly. Yes, U2 is supposedly working on a new album, No Line on the Horizon, with a tentative release date later this fall. But check out this ridiculous story: apparently a "cheeky holidaymaker" was strolling past Bono's pad in the South of France and heard what sounded like new U2 songs blasting from the windows. Said pedestrian just happened to be carrying some sort of easily-accessible recording equipment with him, with which he taped the tracks, then raced home to post the recordings on YouTube. The fact that this has happened before makes it even less believable. I mean, how close can you even get to Bono's house before the laser robots get you?

However, the recordings themselves (listen at Vulture) are oddly compelling, as lo-fi as you can get, featuring the buzzing of insects, passing cars (or possibly waves on a beach) and far-off conversations. While Vulture hopes the noises won't make it to the actual album, there's something kind of compelling about them, muffled far-off tunes on what sounds like a lovely summer night. It kind of reminds me of the KLF's hypnotic Chill Out, a concept album meant to evoke a drive through Texas and Louisiana. Come to think of it, playing a bit of an artsy prank on the media by having your music "taped" from outside your house is kind of KLF's style, too. Has Bono been taken hostage by sheep-wielding million-pound-burning art terrorists? Enjoy a bit of Chill Out after the jump.

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New (Leaked) Music: The Verve - Forth

| Fri Aug. 15, 2008 7:11 PM EDT

mojo-photo-verveforth.jpgPeople think I'm an arrogant jerk, but I really do try to be nice. Honestly. My friends go crazy for Coldplay, and I try to focus on Brian Eno's epic production; buddies want to watch Roger Waters for three hours, and I'm a good sport and hang around. But The Verve has caused perhaps insurmountable rifts between me and my hipster pals. They love The Verve, and I think that other than the inspired sampling on "Bitter Sweet Symphony," Richard Ashcroft and co are dull as doorknobs, whiny, plodding, a fine example of Britishness covering up lack of ingenuity. Like Sigur Ros, they're lumped in with a genre populated by good and great bands, but they just don't measure up. The Verve split in 1999 after Urban Hymns brought them worldwide fame, but recently have come back together for a few live shows. Forth is their first album together in ten years, which leaked onto the intertubes this week.

Poor McCain, Even Jackson Browne and Mike Myers Are Against Him

| Fri Aug. 15, 2008 6:33 PM EDT

mojo-photo-mccainwaynebrowne.jpgCan't somebody throw the guy a bone? John Mellencamp said "uh-uh," Chuck Berry said "sorry," even fellow politician John Hall (he wrote "Still the One") said "no dice." Only the Rich part of Big and Rich seems to care. Well, it turns out that the McCain campaign is just shooting the moon now, culturally speaking, throwing copyrighted material into their ads willy-nilly like a demented mash-up hooligan. I guess the Republican presidential nominee should take it as a compliment that people are still paying any attention, since a couple more artists have sued to make him stop. First up, Jackson Browne is none too happy about "Running on Empty" being used in ads for the senator, apparently without a license, filing suit against McCain and the Republican Party. A McCain campaign spokesman denied they had anything to do with it.

But they've got a bad track record: just a few days before, Mike Myers demanded the McCain campaign remove the "Wayne's World" clip from their "celebrity" anti-Obama ad. The campaign's Michael Goldfarb tried to make a joke out of it, blogging that "apparently, we are not, in fact, worthy." Ha, but overlooked is the fact that they put one of the most recognizable moments in Saturday Night Live history in a TV spot, and didn't think to call anybody? Could they possibly just be playing a cynical political game, breaking the rules intentionally just to get some coverage? Nah, they wouldn't do that. Well, hey, John, you kooky culture jammer, if you want to use some of my mashups in your commercials, you go right ahead. I'm sure the original artists whose rights I never bothered to get wouldn't mind…

World, Shut Your Mouth: The Horror of Public Radio Call-In Shows

| Fri Aug. 15, 2008 3:12 PM EDT

mojo-photo-calleryells.jpgMuch of the time, public radio is a calm, thoughtful oasis in the fart-joke maelstrom of commercial FM broadcasts. But at a certain point in the daily schedule, most public radio stations suddenly turn from interesting to irritating, filling time with that most lazy and obnoxious of programs: the call-in show. It's a high-minded ideal, letting the actual public on to "our" radio stations, but unfortunately, in every case, the public that presents itself is yammering and paranoid, either astonishingly bigoted or pathetically whiny, and the shows are unlistenable embarrassments. Why do public stations waste 1/6 of their day on them?

The other day, NPR's long-running Talk of the Nation attempted to address the issue of gays in the military. One caller drawled that "those people" knew the rules when they joined, so they deserve what they get, while another sobbed through an endless, baffling story about breaking up with her girlfriend or something, and I never figured out if she was actually in the military or not. All these shows are like this: hosts seem frazzled and nervous, dreading each call, stammering interruptions when the monologues get too crazy. And why hasn't anyone figured out how to signal a caller that they're now on the air without 60 seconds of am-I-on-yes-you're-on-do-you-mean-me-yes-go-ahead back-and-forth?

On the Charts: Mamma Mia, M.I.A., Conor Oberst, The Verve

| Thu Aug. 14, 2008 4:40 PM EDT

mojo-photo-charts0814.jpg

Various combinations of the letters "m," "i" and "a" did pretty well on the Billboard US charts this week, plus we can all celebrate the fall from #1 of the eardrum-rupturing "I Kissed a Girl." Hooray! First, on the album chart, the Mamma Mia soundtrack jumped to #1, which is a little weird since the movie is currently a weak #6 at the box office, just behind the Traveling Pants sequel. Well, as we all know, people like ABBA. The rest of the Top Ten consists of standard fare like Miley Cyrus, Kid Rock and Coldplay, although Omaha's got reason to celebrate this week, as favorite son Conor Oberst's self-titled album debuts at #15, while The Faint's Fasciination sneaks into the Top 50 at #46. Take that, Boise!

On the singles chart, Rihanna dominates, as her terrible adventure-in-autotune robo-electro number "Disturbia" climbs to #1, while the marginally better "Take a Bow" sticks around at #4. Lesson: America likes Rihanna. But holy Clash samples, ladies and gentlemen: M.I.A. is now officially a Top 5 Artist in the U. S. of A., as "Paper Planes" jumps 11 spots to #5 on the strength of online sales inspired by Pineapple Express commercials. It's like I've woken up in some strange bizarro world; what next, a #1 hit for Portishead? The track is down a bit on iTunes today, from #2 to #5, so this may be its chart peak, but hey, we'll take it.

After the jump: Richard Ashcroft explains sightlessness.