No wonder the world hates lawyers (wrote the blogger with a J.D.).
The Times is reporting that the court threw outRoy Den Hollander's suit against Columbia University for—get this—offering Women's Studies. Weirdly, the court rejected his brilliant argument that feminism is religion:
"Feminism is no more a religion than physics," the judge wrote, "and at least the core of the complaint therefore is frivolous."...The judge also disagreed with Mr. Den Hollander's claim that the judge should have recused himself from the suit because he attended Columbia.
Mr. Den Hollander, who had claimed that offering a course of study about one gender violated Title IX and the Constitution, assailed the judge as a feminist and said, "The only thing frivolous and absurd is men looking for justice in the courts of America."
"When it comes to men's rights, judges act with an arrogance of power, ignorance of the law and fear of the feminists," he said.
You have to check this guy's website to get the full crazy. I have the feeling that he one of 'those guys' who sees a beautiful woman...and gets very, very angry.
While he may not be a household name, Adam Freeland is a legend in the world of electronic music. He's one of a handful of producers who can legitimately be credited with, if not wholly inventing, at least bringing to the foreground an entirely new genre: a darker, smarter strain of breakbeat music called "nu skool breaks." Moreover, his music has often been politically outspoken, and with his eponymous band, he bridges the gap between rock and dance. I talked with him backstage at the Coachella festival about the changing political scene as well as his upcoming album.
Via HuffPo comes a study that confirms one thing we already knew—Stephen Colbert is totally hilarious—but also points out something surprising: both conservatives and liberals think he's on their side. According to an Ohio State University study, The Colbert Report is like a political Rorschach text, and you see what you want to see in it:
...Individual-level political ideology significantly predicted perceptions of Colbert's political ideology. Additionally, there was no significant difference between the groups in thinking Colbert was funny, but conservatives were more likely to report that Colbert only pretends to be joking and genuinely meant what he said while liberals were more likely to report that Colbert used satire and was not serious when offering political statements. Conservatism also significantly predicted perceptions that Colbert disliked liberalism.
Proof that we live in different worlds came just last week when the National Organization for Marriage (nom nom nom!!) thanked Colbert for his parody of their insane "Gathering Storm" anti-gay marriage spot. NOM president Maggie Gallagher actually said "I've always thought Colbert was a double-agent, pretending to pretend to be a conservative, to pull one over Hollywood." Wow. Really? Well, I guess if you think gay marriage is a scary lightning storm, coming to take away your rights, your brain is full of neat ideas.
This week, a couple tunes good for indie dance parties, a surprising and hilarious mashup, a Brooklyn duo takes an eventful trip to Times Square, and Kate Bush fans have a new artist to worship.
1. Passion Pit – "The Reeling" (from Manners out May 26 on French Kiss)
This Boston-based band charmed me (and lots of other people based on their Top 30 ranking on iTunes) with their quirky "Sleepyhead," but I was wholly unprepared for the raucous good time that is "The Reeling." Tinkly '80s-style synths are offset by stomping rock drums, and the sing-along chorus is irresistible: "Oh, noooo!"
2. Bon Jovi vs. Nina Simone – "Like a Life on a Prayer" (Mad Mix Mustang mashup, download at his web site)
Usually, the point of a mashup is to be amused at the transformation of both sources, but I'd never heard this Nina Simone track before. However, it's perfect with the Bon Jovi lyrics, and the track ends up sounding like a Mark Ronson souled-up retro-remix, with some Austin Powers silliness thrown in.
One proud stay-at-home mom of three had a rude awakening yesterday when she tried to keep her daughter home with her for Take Your Child To Work Day.
[Sandra] Thompson says she considers hers a professional job and when she planned for bring your child to work day, she thought that as a stay at home mom it would be good for her kids to see what she does all day.
"I approached the teacher and asked her if it would be ok for Adriane to spend a day and see what my job is all about. They came back and said that my job is not considered a professional job."
Sandra took her concerns to the Superintendent of Madison County Schools, Dr. Terry Davis.
"He told me how much he admires my job, how important my job is, that his own wife stays home with their children."
But still he refused to allow it.
It would have counted as an unexcused absence.
Don't you just hate it when the truth slips out?
Looks like the Thompson kids could write their own book: Everything I Know About Misogyny I Learned On Take Your Child To Work Day. Maybe Mrs. Davis would like to contribute an essay.
Via Boing Boing comes this goofy video that answers the question, "What would happen if we took T-Pain's favorite studio toy, the Auto-Tune, and ran the news through it?" Haven't you ever wondered that? Well, I have, but I've always found the robotic warble that the Antares software produces via its forcing of any sound to its nearest pitch in a pre-defined scale to be a legitimate mode of artistic expression, but then again, I'm just generally pro-robot. This video, by Michael and Andrew Gregory, features some politicians and sports figures having their blabbering turned into robotic song, with varying success: who knew Joe Biden was a natural pop music talent? Get that guy on American Idol!! The work is apparently part of an ongoing project to pitch-correct all broadcasts, perhaps ultimately aiming for the pitch-correction of all sound, everywhere, all the time, into some sort of National Key. I vote for Am7!
Depeche Mode is not New Order, although you could be forgiven for mixing them up, I suppose, if you're not paying attention, or just looking at their keyboards, or maybe their career arcs. Actually, Depeche Mode's unlikely, meteoric rise to super-fame and subsequent plateau most resembles The Cure's: minimalist, early '80s experiments give way to mid-'80s "alt-culture" idolatry, then early 90's chart-topping mega-success, and finally a semi-retirement based on recycling (with varying degrees of success) the motifs of their earlier output. But there's a reason New Order gets their own section on my record shelves, while D-Mode languishes on the '80s shelf: they've always been a little, well, obvious for my taste, I guess, with their Peoples are Peoples and Personal Jesuses and I Expect to Find God Laffff-ing. Plus, what may be their artistic peak, 1990's "Enjoy the Silence," was basically a New Order homage, at best. But, weirdly enough, Sounds of the Universe, their 12th and latest album, achieves an intriguing complexity by looking to the lessons of early New Order, i.e., being a little obscure might not be such a bad thing.
Here's one reason I'm digging the newly launched Awl, started by former Gawkerites Choire Sicha and Alex Balk:
Remember how when blogging started to get attention the whole gang of print journalists would snort derisively about how it wasn’t “really writing”? And then, a couple of years later, when their papers were dying off and ownership was so desperate for anything to staunch the flow of red ink that it forced them all to start blogging, and they were like, “Holy shit, blogging is hard!” Well, there was a certain protected class of columnists and reporters who, because they were so established, were not made to sully themselves by coding HTML and searching for pooping dog videos. You don’t make a Maureen Dowd blog, particularly when Jennifer 8. Lee will do it five hundred times a day and happily twitpimp the results.
So don’t worry if Maureen Dowd doesn’t like Twitter; it’s not for her. There are plenty of other journalists who desperately need it (and some who definitely need to be weaned from it—David Carr, you are FILLING UP MY DASHBOARD, YOU HAVE TO CHILL). Let the Dowds bury their Dowds; the rest of us are stuck slapping up the minutiae out of fear that we will otherwise become invisible. Which is, of course, the worst thing of all.
Can't really beat a line like "let the Dowds bury their Dowds." Go Alex Balk. When did Gawker start to feel like established biggish media, anyone know?
If you go by numbers of books, J. G. Ballard takes up more room on my shelves than any other author other than Philip K. Dick, and while I don't know if that makes him my second favorite writer, I have enjoyed his work my whole life. The British writer died on Sunday, and while his fame was assured by his novels that became movies, Empire of the Sun and Crash, it was his dystopian science fiction work (usually short stories) that I always found most compelling. Their shocking ideas were often powerful precisely because they were aspects of our world taken to their logical—if extreme—conclusions. "The Concentration City," for instance, imagines an entirely enclosed conurbation so large its residents believe it to be infinite, while "Billenium" looks forward (almost quaintly now) at an overpopulated Earth so crowded with people the protagonists are stunned to discover a single hidden, empty room.
Whether it was his mind-blowing subject matter or edgy style, Ballard's fiction has always appealed to musicians as well, and his work has served as inspirations for songs, albums and even band names. After the jump, a couple examples and their connections (or lack thereof) to Ballard's work.
Remember Tiki Tiki Tembo, the story of the unfortunately named Tikki Tikki Tembo-No Sa Rembo-Chari Bari Ruchi-Pip Peri Pembo, the Chinese boy with a name so extensive it was hazardous to the boy's health?
Well, China's had it with the unique names. Earlier this month Mother Jones reported on the wacky story of Texas legislator Betty Brown, who recommended that Asians adopt names that are "easier for Americans to deal with." Now China itself thinks it's time to simplify its citizens' names. According to Monday's New York Times, the People's Republic of China is upgrading the country's identity cards; its Public Security Bureau will replace the handwritten one currently used with a new card with color photos and embedded microchips that can be read by a computer. As the article explained: