Mixed Media

First Listen: Editors' An End Has a Start

| Thu Jul. 5, 2007 3:55 PM PDT

mojo-cover-editorslarge.JPG Who's afraid of Coldplay? Well, Jon Pareles, most famously, rightly calling their third album, 2005's X&Y, "self-pitying" and "hokum." In a post-"Fix You" world, it's easy to forget that Coldplay used to be alright: A Rush of Blood to the Head is introspective and creative where X&Y is maudlin and overwrought, and a quick listen to the former is a reminder that sensitive-guy music with dramatic, overarching melodies isn't always annoying.

Birmingham, England's Editors released The Back Room in '05, displaying a sound reminiscent of Joy Division; they were subsequently lumped in with the myriad other combos exploring that post-punk style, so it's not surprising they would now redirect themselves a little. This new direction is definitely sensitive-guy-land: lead single "Smokers Outside the Hospital Doors" laments that sight as "the saddest thing I've ever seen" over the insistent beat from Coldplay's "Clocks." But lead singer Tom Smith's straightforward baritone has none of the whimpering quality of Chris Martin, and combined with the soaring guitar work, the track achieves grandeur without trickery.

Elsewhere, on tracks like "Bones," the band returns to the propulsive uptempo of The Back Room, an "I Will Follow"-reminiscent style the band nearly owns at this point. It's all nicely done, if not earth-shattering, and despite the favorable comparisons to Coldplay, Start sometimes slips dangerously towards cliché: "Put Your Head Towards the Air" starts off sounding uncomfortably similar to Billy Joel's "She's Always a Woman," asking, "have we learned what we set out to learn?" But the track quickly redeems itself with a gigantic drum beat, and when Smith sings the strange line "there's people climbing out of their cars," it's hard not to get a little shiver. Fans of U2 and Coldplay looking for a similar band that hasn't lost the plot will find An End Has a Start a enjoyable, and at times awe-inspiring, listen.

An End Has a Start is out Tuesday, July 17th, on Fader Label. Three tracks are currently available on iTunes here.

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Spike Lee To Make WWII Film

| Thu Jul. 5, 2007 2:16 PM PDT

Controversial film director and actor Spike Lee announced that he plans to make a World War II film that will focus on the contribution of black American soldiers who fought and died to liberate Europe during WWII.

"If you think Hollywood and World War II, you think John Wayne—the great white male that saved the world. It's a myth," he told Reuters.

Shooting for the film, based on James McBride's novel Miracle at St. Anna, is expected to start by the beginning of 2008 and to cost $45 million. It will be shot in Tuscany, where American soldiers were trapped in the mountains behind enemy lines and were living with local villagers who had never laid eyes on a black person before.

Much of Lee's film career has focused on skewering controversial political and social issues, particularly those affecting the African American community. He was recently given the annual George Polk Award for his work on When the Levees Broke: A Requiem in Four Acts, a documentary about life in New Orleans after Hurricane Katrina.

Lee also announced in 2006 his plans to direct a James Brown biopic, which would tell the story of the "Godfather of Soul," who died of congestive heart failure on Christmas morning last year in Atlanta at age 73.

Punk Planet Magazine Dead in the Water

| Thu Jul. 5, 2007 2:12 PM PDT

The gutting of independent publishing and news media doesn't show signs of letting up.

Punk Planet in June announced that after 13 years and 80 issues, its final magazine issue was being sent out.

Staff blamed the internet, consumerism, bad distribution deals, and a stagnating independent music business for the demise of their publication.

The Chicago-based Punk Planet magazine and its online component punkplanet.com covers punk music, punk subculture, visual arts, and progressive issues such as media criticism, feminism, and labor issues through interviews, essays and album reviews.

Independents' Day Media, a small community-supported journalism project, has been publishing Punk Planet, as well as their own line of books and a skateboarding magazine called Bail.

The group will continue to publish fiction and nonfiction books on poster art, punk "rabble-rousers," inner-city organizing, and personal tragedy online and its website will continue to function as a social networking location for "independently minded folks."

Over here at Mother Jones, we're paying close attention to the struggles facing news media and indie publishing. For more info, see here, here, here, and here.

NY Times on French Techno: Formidable

| Tue Jul. 3, 2007 11:24 AM PDT

mojo-photo-paris.JPGWill Hermes had a pretty good rundown of the Paris electronic music scene in Sunday's Times, which at the very least makes me feel better for stuffing my Top Ten with Justice, DJ Mehdi and Uffie tunes over the last few months. Check it out for a condensed history of the whole "Justice vs. Simian" remix escapade, and an age comparison of Daft Punk's Thomas Bangaltier (32) with the members of Justice (27 and 24) that is sure to make you (36) feel very old. While it seems odd to accompany the article with a 14-month-old photograph of Daft Punk's 2006 Coachella performance, and DJ Medhi's awesome "Signatune" apparently got spell-checked to "Signature," it's still nice to see the Times pick up on the phenomenon. Selected relevant videos after the jump.

Top Ten Stuff 'n' Things Special Edition: Best Songs of 2007 (So Far) (...Er, Duh)

| Mon Jul. 2, 2007 10:25 PM PDT

With a little less than half the year remaining, it seemed like a good time to try and launch a preemptive strike in the Top Ten Wars; what I didn't realize was how hard making this list was going to be. It's been a great year for albums, but great radio singles, hot downloads, and three-minute masterpieces have been few and far between. It also seemed important, for some reason, to not have this list just be a "best track from all the good albums" list, which is hard not to do. So, here's what I've come up with: the ten best songs, just songs, so far this year. I'm sure I missed something, but post it in the comments, don't call me at home.

mojo-cover-lilmama.jpg 10. Li'l Mama - "Lip Gloss" (from the forthcoming album Voice of the Young People on Jive) (YouTube, MySpace, iTunes)
The teen rap sensation (born Niatia Kirkland in Brooklyn) may have aimed her talent at this most, uh, superficial of topics, but the defiant shouts of "what you know 'bout me?" prove she's no lightweight. The backing track, just a stomp and a handclap, is somehow just as infectious as her rhymes: "The boys really like it, the girls don't speak / They rollin' they eyes, 'cuz they lip gloss cheap."

mojo-cover-ofmontreal1.jpg9. Of Montreal - "Heimdalsgate Like a Promethean Curse" (from Hissing Fauna, Are You the Destroyer? on Polyvinyl) (MySpace, iTunes)
This glammy, poppy Georgia band backs up their silliness with incredibly strong songwriting. "Curse," despite its unwieldy title, comes off like the Flaming Lips covering "Kids in America:" undeniably weird, but instantly accessible. Singer Kevin Barnes repeats "come on, chemicals" in the chorus, but apparently doesn't mean drugs, he means the natural chemicals in your brain, making the lyrics oddly fatalistic.

mojo-cover-khaled.JPG8. DJ Khaled - "We Takin' Over" (from We the Best on Koch/Terror Squad) (YouTube, MySpace, iTunes)
A song whose chorus ("we takin' over, one city at a time") also exists as its manifesto, considering it features every rapper of the moment, from chart-toppers Akon and T.I. to stoner Lil' Wayne. With a beat similar to Akon's "Smack That," Palestinian-American Khaled somehow makes a track that feels less frivolous (with its minor chord arpeggios sounding out like alarms) but just as much fun.

mojo-cover-amywinehouse.JPG7. Amy Winehouse - "Rehab" (from Back to Black on Universal) (YouTube, MySpace, iTunes)
Okay, okay. Yes, this came out last year, the album was already certified platinum in the UK by the end of the 2006. However, it didn't get an official release in the US until March, plus the song is currently #9 on the Billboard Top 10, and besides, I didn't like it as much then as I do now. So, nyah. The song's retro novelty seems balanced by flawless musicianship and an utterly contemporary subject matter; if it keeps going like this, we have a contender for song of the summer, and potentially, tour of the fall.

mojo-cover-whitestripesicky.jpg6. The White Stripes - "Icky Thump" (from Icky Thump on Warner Bros.) (YouTube, MySpace, iTunes)
Like Led Zeppelin filtered through an AM radio and reconstituted south of the border, "Thump" has none of the irresistible hook-based propulsion of "Seven Nation Army," but doesn't suffer for it. Despite winding around vintage synth solos and tempo changes, it grabs you and won't let go. Add a "you tell 'em, Jack" political edge with lyrics about the hypocrisy of the current immigration "debate" (and a video that makes the connection explicit), and the dynamic duo have never been more relevant.

Omaha Gets Up to Speed With Slowdown

| Sun Jul. 1, 2007 5:52 PM PDT

mojo-photo-slowdown1.jpgWith live music venues around the country struggling and even closing, it's rare to see a new club start up, and practically inconceivable for one to emerge as part of a brand new mixed-use development in a medium-sized Midwestern city. But that's just what happened in Omaha last month, when the folks behind Saddle Creek records launched Slowdown, a 500-capacity venue. The club is part of a snazzy new two-building complex developed by the label (home to Bright Eyes, Cursive and The Faint) that houses their headquarters, apartments and an art-house theater, and soon, a restaurant, coffee house, and (cough) an Urban Outfitters. (Yeah, I know, I shop there too.)

It was a broiling hot Nebraska afternoon when I stopped by last week, but it was nice and cool inside Slowdown. The space is sleek and modern, complete with black tile and polished concrete; moreover, since the building is new, everything is, well, clean -- those of us used to clubs coated with 40 years of grime might feel a bit odd. Booker Val Nelson proudly showed me around the backstage area, built to their specifications: a driveway for load-in is mere feet from the stage, for instance, and the dressing room (complete with washer and dryer) is nicer than my apartment.

Mostly, though, it's just going to be a great place to see a band, with state-of-the-art sound and a comfortable layout. Groups like Built to Spill, Jimmy Eat World and the Rentals are already booked. Saddle Creek manager Jason Kulbel downplayed the significance of the label branching out, saying Slowdown just filled a gap: "Typical larger cities, and even some the same size of Omaha, often have many nice venues to choose from." Sure, but they don't have minor indie rock celebrities filling in as bartenders, and a record label for a landlord. Nebraska music fans, I never thought I'd say this, but I envy you.

Some photos and a calendar of upcoming shows after the jump.

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Celebrex May Lead to Death, or Just Tripping Out

| Fri Jun. 29, 2007 2:33 PM PDT

This may be the weirdest commercial I've ever seen. I just saw it for the first time last night during Olbermann, and I was dumbfounded. It's apparently a spot for Celebrex, and I had to look it up afterwards to find out that it's a pain reliever, because I was so hypnotized by the visual effects I had no idea what was going on. First, there's the weirdly creepy "all the lines turn out to be text" effect, which you don't notice right away. It's very cool technically, and quite beautiful, but kind of has "Big Brother/Matrix" overtones, like, "everything in the world is made of fine print!" Then, out of nowhere, the voice-over gal says something like, "Celebrex may lead to heart attack, which can lead to death." Death? What?! That's bad, right? Is that in the fine print somewhere along the side of the coffee cup? But, thankfully, there's a lovely ambient acoustic guitar soundtrack—reminiscent of, I dunno, Air's "Cherry Blossom Girl" (link NSFW)—that lulls you back into a state of tripped-out bliss. Look at all the bubbles.. they're made of words! So pretty! And it goes on... and on... and on... for two and a half minutes. Did I dream this, after some bad salmon? No, it's on YouTube:

Live Review: The National at Bimbo's, SF, 6/27/07

| Thu Jun. 28, 2007 4:51 PM PDT

mojo-photo-national.jpgI admit it, I'm lazy. I'm like a four-year-old, shiny things get my attention. So I like bands with style, gimmicks, "bits." We only wear red, black, and white! We have crazy fake wings and giant sunglasses! We sound like we're from the 80s! It grabs me, so I tune in. The National don't care. They are not those bands. And so: six middle-aged Brooklynites in Ross Dress For Less shirts shamble onto the Bimbo's stage and ease into "Start a War," an understated track from their new album Boxer, and I'm searching for a way in. Are lead singer Matt Berninger's half-sung half-spoken lyrics a reference to greats like Leonard Cohen, or is he just sleepy? Are the chiming, open guitar chords reminiscent of U2, or just simplistic? Suddenly, the singer steps back, and the guitars hit a strange, surprising note; the song jumps up a notch, to somewhere more haunting, more disconcerting. These are the moments the National seems to live for, and a key to understanding the band: "Stick with us," they seem to say, "and you'll be rewarded."

The show isn't perfect. Their second song, "Mistaken for Strangers," seems underwhelming, kind of like "Interpol Lite," and I wonder why the drums are so quiet. Right on cue, somebody shouts "more drums!" when they finish. But maybe that guy and me are wrong: the National don't want to be Interpol. They want their brooding, subtle songs to creep up on you, not bash you over the head, and if that means the drums are kept a bit down in the mix, so be it.

Who's that kooky guy with the violin? Padma Newsome, who isn't technically in the band, and you can tell: he jumps around the stage, plays his violin ukulele-style, and bangs a tambourine like his life depends on it. It's an interesting counterpoint to this most thoughtful of bands; almost like, well, something shiny to grab your attention. Either way, the National deserves it.

Upcoming US tour dates and some videos after the jump.

Amy Winehouse Crying Out for Help to Spin

| Wed Jun. 27, 2007 11:27 PM PDT

mojo-photo-winehousefielder.jpgUK sensation Amy Winehouse has grabbed headlines worldwide with a self-mutilating incident during an interview with Spin magazine. The singer reportedly carved "I love Blake" (referring to new husband Blake Fielder-Civil) into her stomach with a leftover shard of broken mirror from the Spin photoshoot. Apparently Mr. Fielder-Civil was hanging around too, and caused his own controversy when he threatened to "slit the throat" of a bystander who said he looked like actor Ethan Embry. Winehouse brushed it all off during the interview, saying "I don't care about any of this... I write songs because I'm f***ed in the head."

Wikipedia explains self-injury as a dissociative mechanism, separating the mind from feelings that cause anguish, a phenomenon most often seen in women, although statistics are unreliable since self-injurers tend to conceal their injuries. Not this time.

Winehouse's current single, "Rehab," climbs from number 10 to number 9 on the Billboard Top 10 this week, with her album remaining at number 10; one can only wonder if her American success has proven too much for her to deal with. See my previous post for her upcoming tour dates.

Coming Soon: Beck Beer, TV on the Radio "Staring at the Sun" Brand Tequila, M.I.A.'s Super Premium Hard Lemonade?

| Wed Jun. 27, 2007 2:37 PM PDT

mojo-photo-afiabsinthe.jpgAnybody thirsty? Billboard.biz reports that Interscope Records has just entered an agreement with Drinks Americas to "develop various drink products" with Interscope artists. The oddly-named Drinks Americas (I guess they're including Central and South?) currently produces tasty beverages like Donald Trump's Super Premium Vodka and Willie Nelson's Old Whiskey River Bourbon, and I can't imagine buying either of them. Okay maybe Willie's whiskey.

Now, we've already seen a hot Bay Area hip-hop style get its own energy beverage, but the mind reels at the co-branding opportunities that could emerge from this deal. The label's roster includes mainstream hitmakers like Fergie, Enrique Iglesias and 50 Cent, as well as critical favorites like Feist, Wolfmother, and even Simian Mobile Disco. You can find their complete list of artists here; post your own ideas for artist-themed beverages in the comments, and if you're lucky, maybe you'll see them soon at your neighborhood 7-11.