In Calcutta in the '50s, I heard no talk of "identity crisis" -- communal or individual. The concept itself -- of a person not knowing who he or she is -- was unimaginable in our hierarchical, classification-obsessed society. One's identity was fixed, derived from religion, caste, patrimony, and mother tongue. A Hindu Indian's last name announced his or her forefathers' caste and place of origin. A Mukherjee could only be a Brahmin from Bengal. Hindu tradition forbade intercaste, interlanguage, interethnic marriages. Bengali tradition even discouraged emigration: To remove oneself from Bengal was to dilute true culture.
Until the age of 8, I lived in a house crowded with 40 or 50 relatives. My identity was viscerally connected with ancestral soil and genealogy. I was who I was because I was Dr. Sudhir Lal Mukherjee's daughter, because I was a Hindu Brahmin, because I was Bengali-speaking, and because my desh -- the Bengali word for homeland -- was an East Bengal village called Faridpur.
The University of Iowa classroom was my first experience of coeducation. And after not too long, I fell in love with a fellow student named Clark Blaise, an American of Canadian origin, and impulsively married him during a lunch break in a lawyer's office above a coffee shop.
That act cut me off forever from the rules and ways of upper-middle-class life in Bengal, and hurled me into a New World life of scary improvisations and heady explorations. Until my lunch-break wedding, I had seen myself as an Indian foreign student who intended to return to India to live. The five-minute ceremony in the lawyer's office suddenly changed me into a transient with conflicting loyalties to two very different cultures.
The first 10 years into marriage, years spent mostly in my husband's native Canada, I thought of myself as an expatriate Bengali permanently stranded in North America because of destiny or desire. My first novel, The Tiger's Daughter, embodies the loneliness I felt but could not acknowledge, even to myself, as I negotiated the no man's land between the country of my past and the continent of my present. Shaped by memory, textured with nostalgia for a class and culture I had abandoned, this novel quite naturally became an expression of the expatriate consciousness.
It took me a decade of painful introspection to put nostalgia in perspective and to make the transition from expatriate to immigrant. After a 14-year stay in Canada, I forced my husband and our two sons to relocate to the United States. But the transition from foreign student to U.S. citizen, from detached onlooker to committed immigrant, has not been easy.
The years in Canada were particularly harsh. Canada is a country that officially, and proudly, resists cultural fusion. For all its rhetoric about a cultural "mosaic," Canada refuses to renovate its national self-image to include its changing complexion. It is a New World country with Old World concepts of a fixed, exclusivist national identity. Canadian official rhetoric designated me as one of the "visible minority" who, even though I spoke the Canadian languages of English and French, was straining "the absorptive capacity" of Canada. Canadians of color were routinely treated as "not real" Canadians. One example: In 1985 a terrorist bomb, planted in an Air-India jet on Canadian soil, blew up after leaving Montreal, killing 329 passengers, most of whom were Canadians of Indian origin. The prime minister of Canada at the time, Brian Mulroney, phoned the prime minister of India to offer Canada's condolences for India's loss.
Those years of race-related harassments in Canada politicized me and deepened my love of the ideals embedded in the American Bill of Rights. I don't forget that the architects of the Constitution and the Bill of Rights were white males and slaveholders. But through their declaration, they provided us with the enthusiasm for human rights, and the initial framework from which other empowerments could be conceived and enfranchised communities expanded.
I am a naturalized U.S. citizen and I take my American citizenship very seriously. I am not an economic refugee, nor am I a seeker of political asylum. I am a voluntary immigrant. I became a citizen by choice, not by simple accident of birth.
Yet these days, questions such as who is an American and what is American culture are being posed with belligerence, and being answered with violence. Scapegoating of immigrants has once again become the politicians' easy remedy for all that ails the nation. Hate speeches fill auditoriums for demagogues willing to profit from stirring up racial animosity. An April Gallup poll indicated that half of Americans would like to bar almost all legal immigration for the next five years.
The United States, like every sovereign nation, has a right to formulate its immigration policies. But in this decade of continual, large-scale diasporas, it is imperative that we come to some agreement about who "we" are, and what our goals are for the nation, now that our community includes people of many races, ethnicities, languages, and religions.
The debate about American culture and American identity has to date been monopolized largely by Eurocentrists and ethnocentrists whose rhetoric has been flamboyantly divisive, pitting a phantom "us" against a demonized "them."
All countries view themselves by their ideals. Indians idealize the cultural continuum, the inherent value system of India, and are properly incensed when foreigners see nothing but poverty, intolerance, strife, and injustice. Americans see themselves as the embodiments of liberty, openness, and individualism, even as the world judges them for drugs, crime, violence, bigotry, militarism, and homelessness. I was in Singapore in 1994 when the American teenager Michael Fay was sentenced to caning for having spraypainted some cars. While I saw Fay's actions as those of an individual, and his sentence as too harsh, the overwhelming local sentiment was that vandalism was an "American" crime, and that flogging Fay would deter Singapore youths from becoming "Americanized."
Conversely, in 1994, in Tavares, Florida, the Lake County School Board announced its policy (since overturned) requiring middle school teachers to instruct their students that American culture, by which the board meant European-American culture, is inherently "superior to other foreign or historic cultures." The policy's misguided implication was that culture in the United States has not been affected by the American Indian, African-American, Latin-American, and Asian-American segments of the population. The sinister implication was that our national identity is so fragile that it can absorb diverse and immigrant cultures only by recontextualizing them as deficient.
Our nation is unique in human history in that the founding idea of "America" was in opposition to the tenet that a nation is a collection of like-looking, like-speaking, like-worshiping people. The primary criterion for nationhood in Europe is homogeneity of culture, race, and religion -- which has contributed to blood-soaked balkanization in the former Yugoslavia and the former Soviet Union.
America's pioneering European ancestors gave up the easy homogeneity of their native countries for a new version of utopia. Now, in the 1990s, we have the exciting chance to follow that tradition and assist in the making of a new American culture that differs from both the enforced assimilation of a "melting pot" and the Canadian model of a multicultural "mosaic."
The multicultural mosaic implies a contiguity of fixed, self-sufficient, utterly distinct cultures. Multiculturalism, as it has been practiced in the United States in the past 10 years, implies the existence of a central culture, ringed by peripheral cultures. The fallout of official multiculturalism is the establishment of one culture as the norm and the rest as aberrations. At the same time, the multiculturalist emphasis on race- and ethnicity-based group identity leads to a lack of respect for individual differences within each group, and to vilification of those individuals who place the good of the nation above the interests of their particular racial or ethnic communities.
We must be alert to the dangers of an "us" vs. "them" mentality. In California, this mentality is manifesting itself as increased violence between minority, ethnic communities. The attack on Korean-American merchants in South Central Los Angeles in the wake of the Rodney King beating trial is only one recent example of the tragic side effects of this mentality. On the national level, the politicization of ethnic identities has encouraged the scapegoating of legal immigrants, who are blamed for economic and social problems brought about by flawed domestic and foreign policies.
We need to discourage the retention of cultural memory if the aim of that retention is cultural balkanization. We must think of American culture and nationhood as a constantly re-forming, transmogrifying "we."
In this age of diasporas, one's biological identity may not be one's only identity. Erosions and accretions come with the act of emigration. The experience of cutting myself off from a biological homeland and settling in an adopted homeland that is not always welcoming to its dark-complexioned citizens has tested me as a person, and made me the writer I am today.
I choose to describe myself on my own terms, as an American, rather than as an Asian-American. Why is it that hyphenation is imposed only on nonwhite Americans? Rejecting hyphenation is my refusal to categorize the cultural landscape into a center and its peripheries; it is to demand that the American nation deliver the promises of its dream and its Constitution to all its citizens equally.
My rejection of hyphenation has been misrepresented as race treachery by some India-born academics on U.S. campuses who have appointed themselves guardians of the "purity" of ethnic cultures. Many of them, though they reside permanently in the United States and participate in its economy, consistently denounce American ideals and institutions. They direct their rage at me because, by becoming a U.S. citizen and exercising my voting rights, I have invested in the present and not the past; because I have committed myself to help shape the future of my adopted homeland; and because I celebrate racial and cultural mongrelization.
What excites me is that as a nation we have not only the chance to retain those values we treasure from our original cultures but also the chance to acknowledge that the outer forms of those values are likely to change. Among Indian immigrants, I see a great deal of guilt about the inability to hang on to what they commonly term "pure culture." Parents express rage or despair at their U.S.-born children's forgetting of, or indifference to, some aspects of Indian culture. Of those parents I would ask: What is it we have lost if our children are acculturating into the culture in which we are living? Is it so terrible that our children are discovering or are inventing homelands for themselves?
Some first-generation Indo-Americans, embittered by racism and by unofficial "glass ceilings," construct a phantom identity, more-Indian-than-Indians-in-India, as a defense against marginalization. I ask: Why don't you get actively involved in fighting discrimination? Make your voice heard. Choose the forum most appropriate for you. If you are a citizen, let your vote count. Reinvest your energy and resources into revitalizing your city's disadvantaged residents and neighborhoods. Know your constitutional rights, and when they are violated, use the agencies of redress the Constitution makes available to you. Expect change, and when it comes, deal with it!
As a writer, my literary agenda begins by acknowledging that America has transformed me. It does not end until I show that I (along with the hundreds of thousands of immigrants like me) am minute by minute transforming America. The transformation is a two-way process: It affects both the individual and the national-cultural identity.
Others who write stories of migration often talk of arrival at a new place as a loss, the loss of communal memory and the erosion of an original culture. I want to talk of arrival as gain.
Bharati Mukherjee's books include The Middleman and Other Stories (which won the National Book Critics' Circle Award in 1988), Jasmine, and The Holder of the World. This essay is adapted from Race: An Anthology in the First Person, edited by Bart Schneider (New York: Clarkson Potter, 1997). Mukherjee and her husband, Clark Blaise, wrote about Salman Rushdie's travails for Mother Jones shortly after he was forced into hiding in 1989.