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This week, heartwarming Emmy moments, psychedelic French rock, and avant-Cumbia make the cut, but the theme (as always, emerging after the fact) seems to be boundary-pushing and genre-crushing hip-hop/techno cross-pollination. That should always be the theme, really.
10. Jon Stewart and Stephen Colbert giving Ricky Gervais' Emmy to Steve Carell
I was actually on a flight from Minneapolis during the Emmys, and probably wouldn't have watched anyway (Ryan Seacrest?!) but the YouTube of this is fantastic, and not just for the comedy value: the audience's cheers give you the sense that despite Extras' acknowledged awesomeness, Steve Carell is just a more awesome person, especially since Gervais didn't even show up. I wonder if any of it was planned?
9. Ivan Ives - "Got It" (From Iconoclast on No Threshold)
I remember Russia being way more into Army of Lovers than hip-hop, but that was a while ago; maybe Russian-born Ives is the tip of a new expat Russki rap scene iceberg. He actually lives in LA now and this track reflects sunny climes more than winter nights, with a funky retro sample and a cute DIY video. Not exactly ground-breaking, but I've been humming the chorus all week.
8. Twista feat. Kanye West - "Well It's Time"
(from Adrenaline Rush 2007, out 9/18 on Atlantic)
(listen at The Fader)
Hyper Chicago rapper Twista's auctioneer-speed rhymes are offset with a decidedly mellow sample from Feist in this Kanye West production; it's apparently the bonus track on his new album, out tomorrow, and while the song is definitely breezy, it's no throwaway.
7. The Bee Gees - "Stayin' Alive" (Teddybears Remix) (from Bee Gees Greatest, out 9/18 on Rhino)
(listen at Pitchfork)
Swedish combo Teddybears accomplished the almost-unthinkable on their 2006 album Soft Machine: they brought back Big Beat without any backlash, and it was actaully good. Or maybe they just brought back the good parts of Big Beat—eclectic, upbeat, accessible, soulful sounds. On this disco-riffic remix, the band correctly assesses that the original has the "accessible" part pretty much down, and their job is to f*** things up a little. This they do via skronky bass noises that sound a little like French contemporaries Justice.
6. Various Artists - Las Rebajadas van a Brooklin (DJ set by Sonido Martines) (download an mp3 at Muy Bastard or Disco Shawn's blog, or listen at WFMU.org)
My expat compadre in Buenos Aires Disco Shawn introduced me to the amazing avant-Cumbia scene happening down there, and a billiant new DJ or producer seems to pop up every day. Sonido Martines produced this mix for DJ/Rupture's WFMU radio show, and the two share a philosophy: the NY DJ's marriage of Indian pop to drill 'n' bass was itself a radical reimagining of indigenous music. Sonido Martines' style, "Cumbias Rebajadas," is characterized by pitching tracks way, way down; at those speeds, the music takes on a strange psychedelic crackle, like a transmission from another time.