The Dark Knight: A Cartoonist's Take
Time was when comic-book fandom would keel over, twitching and gasping in excitement, when every decade or so a new movie based on a comic book hit the big screen. In my days as a younger, peppier geek, I too awaited each new comic-book movie with bated breath. Now, I'm just overwhelmed by the sheer volume of offerings (not to mention burned by two decades of movies like Batman Forever, and both versions of The Fantastic Four).
Marvel alone seems determined to overwhelm theatergoers this year: The wildly successful Iron Man (and wildly less successful Incredible Hulk) will be followed over the next few years not just by more Iron and Spider types, but The Silver Surfer, Ant-Man (no, really), and an entire Avengers team-up.
Then there's rival house DC's Batman offering, The Dark Knight, opening this weekend. There's already talk of an Oscar nomination for Heath Ledger's performance; currently, the only actor to have won a posthumous Oscar is Peter Finch (for his iconic madman in Network).
Given the heavy media coverage of this summer's stylized films, maybe that's why the only comic-book adaptation that really fascinates me right now isn't a movie.
Yes, I can't stop thinking about the Spider-Man musical. Bound for Broadway and featuring music by Bono and the Edge, Spider-Man put out this casting call for its three leads: