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On Everybody, which quickly soared to No. 1 on the iTunes charts, Michaelson evokes this simple style to mostly good effect. Part of the credit goes to the producers (of which she is one), who understand when to punctuate the minimalism with flourish. "The Chain," for instance, is elevated by a vocal round at the climax, while "Man of Snow" benefits from an ethereal string section in the chorus.
Yet at times it is Michaelson's austerity that snags her. This is most apparent in the lyrics, which can tread the line between earnest and treacly. I gotta see if I'm filled up when it's only me/It's not your fault but you just can't be here she croons in "Once Was Love." In "Locked Up," she asks Have I taken a wrong turn? When will I learn? Great lyrics manage to be both personal and profound, and Michaelson seems to struggle sometimes.