Oh, That Old-Timey Movie Accent!


James Fallows was watching some old movies recently and has a question:

The language that the narrator, one Gayne Whitman, uses is florid enough. But his accent! It’s instantly familiar to anyone who’s seen old movies and newsreels from the 1930s and 1940s. But you cannot imagine a present-day American using it with a straight face. It’s not faux-British, but it’s a particular kind of lah-dee-dah American diction that at one time was very familiar and now has vanished.

Even without watching the clip, you probably know exactly what he’s talking about. I always assumed that this was an artificial construction, and one of Fallows’s readers confirms this:

The accent you are wondering about is the Transatlantic accent, also called the Midatlantic accent. This was not a regional accent. Rather, it’s an accent that was taught to actors and announcers. I learned about this accent from Amy Walker’s “21 Accents” video on YouTube. She starts using the Transatlantic accent at the 2:12 mark.

I assume that this accent was an artifact of live theater that got transplanted into movies during their first few decades, and it’s the main thing that makes old movies nearly unwatchable to me. Obviously everyone has their own idea of what makes acting great, but for me it’s first, foremost, and almost exclusively voice: the ability to precisely control tone, pace, pitch, timbre, tempo, modulation, resonance, accent, and so forth. Actors who can do this are great even if they have limited proficiency in all the other arts of acting; actors who can’t are terrible no matter what else they do well.

That’s how I respond to acting, anyway, and the Transatlantic accent in movies of the 30s and 40s almost entirely ruins them for me. Anyone else feel this way?

DOES IT FEEL LIKE POLITICS IS AT A BREAKING POINT?

Headshot of Editor in Chief of Mother Jones, Clara Jeffery

It sure feels that way to me, and here at Mother Jones, we’ve been thinking a lot about what journalism needs to do differently, and how we can have the biggest impact.

We kept coming back to one word: corruption. Democracy and the rule of law being undermined by those with wealth and power for their own gain. So we're launching an ambitious Mother Jones Corruption Project to do deep, time-intensive reporting on systemic corruption, and asking the MoJo community to help crowdfund it.

We aim to hire, build a team, and give them the time and space needed to understand how we got here and how we might get out. We want to dig into the forces and decisions that have allowed massive conflicts of interest, influence peddling, and win-at-all-costs politics to flourish.

It's unlike anything we've done, and we have seed funding to get started, but we're looking to raise $500,000 from readers by July when we'll be making key budgeting decisions—and the more resources we have by then, the deeper we can dig. If our plan sounds good to you, please help kickstart it with a tax-deductible donation today.

Thanks for reading—whether or not you can pitch in today, or ever, I'm glad you're with us.

Signed by Clara Jeffery

Clara Jeffery, Editor-in-Chief

We Recommend

Latest

Sign up for our newsletters

Subscribe and we'll send Mother Jones straight to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate

Share your feedback: We’re planning to launch a new version of the comments section. Help us test it.