Modern Music is Tedious and Unimaginative

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I’m not going to pretend to understand this, but a group of Spanish scientists say they now have empirical evidence that modern pop music is boring:

We find three important trends in the evolution of musical discourse: the restriction of pitch sequences (with metrics showing less variety in pitch progressions), the homogenization of the timbral palette (with frequent timbres becoming more frequent), and growing average loudness levels.

Basically, musicians are using fewer and simpler note sequences, less variety in timbre, and then making up for it by cranking up the volume. The chart on the right, which is really the only comprehensible one in the paper, shows the evolution of timbral variety, peaking in the 60s and then dropping off dramatically every year since.

Later, during a Q&A with neighborhood kids, the researchers added, ¡Quítese mi césped!

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THE BIG PICTURE

You expect the big picture, and it's our job at Mother Jones to give it to you. And right now, so many of the troubles we face are the making not of a virus, but of the quest for profit, political or economic (and not just from the man in the White House who could have offered leadership and comfort but instead gave us bleach).

In "News Is Just Like Waste Management," we unpack what the coronavirus crisis has meant for journalism, including Mother Jones’, and how we can rise to the challenge. If you're able to, this is a critical moment to support our nonprofit journalism with a donation: We've scoured our budget and made the cuts we can without impairing our mission, and we hope to raise $400,000 from our community of online readers to help keep our big reporting projects going because this extraordinary pandemic-plus-election year is no time to pull back.

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