Modern Music is Tedious and Unimaginative

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I’m not going to pretend to understand this, but a group of Spanish scientists say they now have empirical evidence that modern pop music is boring:

We find three important trends in the evolution of musical discourse: the restriction of pitch sequences (with metrics showing less variety in pitch progressions), the homogenization of the timbral palette (with frequent timbres becoming more frequent), and growing average loudness levels.

Basically, musicians are using fewer and simpler note sequences, less variety in timbre, and then making up for it by cranking up the volume. The chart on the right, which is really the only comprehensible one in the paper, shows the evolution of timbral variety, peaking in the 60s and then dropping off dramatically every year since.

Later, during a Q&A with neighborhood kids, the researchers added, ¡Quítese mi césped!

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Thank you!

We didn't know what to expect when we told you we needed to raise $400,000 before our fiscal year closed on June 30, and we're thrilled to report that our incredible community of readers contributed some $415,000 to help us keep charging as hard as we can during this crazy year.

You just sent an incredible message: that quality journalism doesn't have to answer to advertisers, billionaires, or hedge funds; that newsrooms can eke out an existence thanks primarily to the generosity of its readers. That's so powerful. Especially during what's been called a "media extinction event" when those looking to make a profit from the news pull back, the Mother Jones community steps in.

The months and years ahead won't be easy. Far from it. But there's no one we'd rather face the big challenges with than you, our committed and passionate readers, and our team of fearless reporters who show up every day.

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