A Review of Reviews of “The Handmaid’s Tale”

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Below are excerpts from a baker’s dozen reviews of Hulu’s new adaptation of The Handmaid’s Tale. Can you figure out what they all have in common?

New York Times: The television adaptation arrives with a newfound and unexpected resonance in Trump’s America….“We were hoping to be relevant, but we weren’t hoping it would be this relevant.”

io9: It’s incredibly difficult to watch The Handmaid’s Tale and not be affected, to feel like we’re so much closer to it being reality than when it was first written.

Washington Post: The phrase “now more than ever” has become a tiresome cliche in the past few months, but so what: “The Handmaid’s Tale” is here and it demands our attention, now more than ever.

Hollywood Reporter: Hulu’s The Handmaid’s Tale may be the most unintentionally timely show of the year.

Entertainment Weekly: Their performances — and the show’s consistent sense of textural, lived-in realism — anchor the drama in something beyond speculative sci-fi, making the story feel less like a quasi-fictional fable than an entirely possible preview of what’s to come.

Wall Street Journal: You can’t quite call it a bad dream come true, not yet. But given what might be termed “recent events,” it’s certainly cautionary, and more than urgent.

The Economist: As the Trump administration continues to cut funding and roll back family-planning services, it is easy to hear echoes of its rhetoric on the screen.

Vogue: Could the timing be any more apt?

TV Guide: The show and its source material feel more timely and relevant than ever….With women’s rights again on the chopping block under a Trump administration, and a common refrain from critics on the left to resist normalizing Trump, it’s difficult if not impossible not to draw parallels between the show and real-life events.

Deadline Hollywood: If ever a television series could border on being too relevant, Hulu’s gripping, chilling and brutal adaptation of The Handmaid’s Tale, which launches with its first three episodes on April 26, would be the one.

Huffington Post: Whether the show sets out to directly compare its dystopian themes with today’s political climate, for some readers ? and for the story’s author ? the similarities are ripe for picking.

Vanity Fair: All dystopias are meant as cautionary tales. But at this particular moment in time—one marked by a powerful but misguided nostalgia, and religious zealotry, and an increasing sense that paranoia is justified, with the powers that be seemingly determined to chip away at the rights of women—The Handmaid’s Tale feels especially current, cutting, and vital.

Harper’s Bazaar: You won’t see a more timely or essential onscreen story this year than Hulu’s extraordinary rendering of Margaret Atwood’s 1985 novel The Handmaid’s Tale, reimagined as a fundamentalist nightmare for the Mike Pence era….Like all the best dystopias, Gilead is not a truly fictional world, and The Handmaid’s Tale is not a dark fantasy. It’s a warning.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

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