Here’s my latest project:

We’ve lived in this house for 25 years, and I’ve wanted something on that wall for that entire time. Now I’ve got it! The idea behind the grid is that it makes it easy to move things around. I can remove one or two pictures and replace them with new ones in just a few minutes, so the hallway becomes a rotating gallery of photos and a good way to learn more about printing photos.

Aside from the obvious pleasure of showing off my own work, the main point of this is to learn more about printing. I haven’t printed a photo in more than 40 years, and even then I printed only in black and white. So I know very little about color printing, and it shows here: of these, I’d say I was one for six:

  • The Yosemite photo on the far right is fine. Hooray!
  • The sunset picture next to it contains a lot of artifacts that I didn’t notice on the screen. I need to be more careful about introducing artifacts in Photoshop and more observant about seeing them before I commit to a final version.
  • The two small photos at the top were an experiment: shooting at my highest ISO, can a small-sensor camera produce a decent 11×17 enlargement? The answer, roughly, is no, though neither one of them is really all that bad. But there’s no question that the noise is pretty visible if you get within a few feet.
  • The purple moonrise at the bottom left was a disaster. I had to do a lot of Photoshop work on it, and I did it badly. I’m not sure if I’ll take another crack at it. It’s a tough nut.
  • The yellow house is fine except for one thing: it’s the only print of the bunch where the color is way off. I’m doing the color correction myself and embedding the color space in the image, and that worked out fine for the others, which are very close to what they looked like on the monitor. However, the yellow house should be a much brighter yellow. I don’t know what happened here.

I’d like a good print of the yellow house, but I’m not quite sure how to get it. Since I’m not printing the photos myself, I’d need to provide some additional instructions to the commercial printer I’m using, and I don’t know what those would be. But I figure I can learn. There are bound to be some good books or tutorials on color workflow and how to ensure you get the color you want. I just need to find them and get more practice.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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