The Mystery of the Figaro Is Solved!

Back when Marian and I were vacationing in Britain, I saw a surprising number of these cars:

It’s a Figaro, which looks like one of those cute postwar British cars that were manufactured in the gazillions—but obviously isn’t. For one thing, it’s made by Nissan. For another, it has a third brake light up in the rear window, which pegs it as a relatively recent make. So what is it?

I never found out, but today the New York Times reveals all. It turns out it’s an oddball car that, for some reason, Nissan manufactured only in 1991:

Nissan built the Figaro in pale shades of aqua, green, gray and taupe — one of a few idiosyncratic, limited-edition models the company made in that era.

The company originally planned to build just 8,000 Figaros, priced at about $8,300, and strictly for the Japanese market. Even before sales began, it was clear that demand would far exceed that figure, so Nissan held a lottery to choose its buyers. Celebrities were among those in the running, generating still more interest. Nissan expanded production to 20,000, but even so, most would-be buyers were turned away. Despite the unmet demand, the company stuck to its plan to make the car for just one year.

From early on, a very few appeared in Britain, as people visiting Japan — including Eric Clapton — bought Figaros and had them shipped home. The car required only minor modification to be street legal in Britain, and drivers here, as in Japan, sit on the right side of the car.

….More than 3,000 of the cars are registered as being in active use in Britain, but numbers are no longer rising, and the pipeline has slowed to a trickle. “There’s only so many, and they’ve been around awhile,” said Peter Pattemore, who drives a Figaro (named Jimmy), as does his wife, Sandra (hers is Sally). “But we’re going to keep them as long we can.”

The Figaro is now more than 25 years old, so it’s finally street legal if you want to buy one for use in the United States. Just don’t expect anyone to fit in the back seat.

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In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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