Adventures in Panorama, Checkerboard Edition

I regaled my weekend audience with the results of my attempt to learn how to do panoramic photos using Photoshop. In a nutshell, you can take several pictures from left to right and then stitch them together horizontally or you can take several pictures from bottom to top and stitch them together vertically. But then I wondered: can I take a grid of pictures and stitch them together both horizontally and vertically? Just how smart is Photoshop, anyway?

Pretty smart! I tried it out today with a 2×6 grid of our new kitchen remodel and Photoshop breezed through it:

The red area is the best I could do with a single shot using the 24mm setting on my camera, and a wall prevented me from moving backward. The only two ways to show the whole kitchen are (a) purchasing a pro camera body and a $3,000 prime 12mm wide-angle lens or (b) using Photoshop. I think my choice was pretty obvious.

Panoramic stitching works best with, you know, panoramas. That is, scenes that are fairly distant, so that the distortion isn’t too bad to begin with and can be corrected fairly easily. Interior scenes are a whole different thing, and there’s really no way to avoid distortion entirely when objects are so close. You can see it in this picture in various places because I had to pick and choose which distortions to try and correct. I’m sure a pro could do better, but it’s not possible to correct everything. Also, I probably should have taken the picture in the morning to get truer, less ruddy lighting.

Anyway . . . green lower cabinets and cream upper cabinets. Some kind of engineered quartz stuff for the countertop, which is white with light gray flecks. New flooring throughout the entire house, a light brownish-gray that has coloring similar to old reclaimed wood. And a bunch of new appliances. Marian managed the whole operation, and my main contribution was the suggestion of green for the lower cabinets.

You love it, don’t you? You better. All negative comments will be ruthlessly deleted.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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