A few weeks ago I put up a picture of the Sacramento delta taken from an airplane window. As usual, I got queries from a couple of people asking how I get such good pictures when all they get is smudgy crap when they try taking photos from an airplane. Part of the answer is luck: a seat up front ahead of the wing; a window that’s not too scratched up; the sun in the right place; etc. But the bulk of the answer is Photoshop. Here’s a demonstration using a picture I took shortly after takeoff from John Wayne airport in Orange County. This is the original:

Not so good! First, let’s straighten the horizon line:

Then crop:

Now let’s fill in the blank spot on the left. Luckily, there’s nothing there but plain sky, so this is easy:

The next step is to dehaze the picture. This is one of the most frequently misused Photoshop filters, but that’s mainly because people—quite understandably—try to use it to reduce the haze in pictures. I find dehaze useful in modest amounts for many things, but not for removing real-life haze. In this case, however, the dirty airplane window basically acts like a uniform haze over the entire picture, and the dehaze filter does a pretty good job of removing it:

Thanks to the airplane window, the white balance of the picture is off, so let’s correct that:

Finally, we need to clean up the sky. There’s a window smudge on the right we need to get rid of, and some artifacts that are best dealt with by simply blurring the entire area. I’m also going to modify the color a bit to get rid of the yellowish haze on the horizon:

That was a little sloppy. Sorry. But it gives you a sense of what you can do with the sky if it’s not to your liking. The last step is to reduce the picture to fit on the blog and then sharpen it since the reduction process introduces some blur. Some pictures take sharpening well and some don’t, so this is a matter of taste. I’m showing it here so you can see the difference. And here it is:

October 10, 2019 — Newport Beach, California

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We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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