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David Cross and Bob Odenkirk’s “Mr. Show with Bob & David” is the absinthe of sketch comedy: vaguely psychotropic and a definite acquired taste compared with the light-beer humor of such shows as “MAD TV” or the limping, geriatric “Saturday Night Live.” Cross and Odenkirk met in 1992 while writing for and performing on the critically acclaimed but short-lived “Ben Stiller Show.” Realizing they shared similar ideas, they began developing a sketch show of their own, eventually creating “Mr. Show.” Rolling Stone called it “edgier, smarter and stranger” than other sketch shows, and the Village Voice has said it “deserves its own channel.” Until that happens, it remains on HBO. Their new season begins in October.

What do comics do for fun? Cross: For fun we make fun of other comics. To relax we make fun of comics who make fun of other comics.

Do you have any music recommendations? Odenkirk: Creeper Lagoon. Cross: It’s not that new, but Pond’s Rock Collection is the best album you haven’t heard of.

You’ve been cited as leaders of the “alternative comedy” genre. Is alternative comedy more alternative or more comedy? Cross: It’s just more, and that’s a wonderful thing.

What have you been watching lately on TV or at the movies? Odenkirk: The Butcher Boy and Wild Man Blues. Cross: Ma Vie En Rose and Four Days in September, and anything that starts with “World’s Most Dangerous.” I’ve also been watching a lot of television at the movies. I have one of those portable things. It’s like killing two beautiful birds with one stone.

What are you reading? Odenkirk: The Butcher Boy by Patrick McCabe; Reading in the Dark by Seamus Deane. To understand life, try to get a copy of Charles Portis’ Masters of Atlantis or his The Dog of the South.

HBO’s ads say that it’s “not just TV. It’s HBO.” Really, isn’t it just TV? Cross: It’s actually more like a fancy radio with pictures.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

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