Bring the Dub Come

Ticker

Monika Bauerlein,
CEO

Dear Reader,

The next few months are make-or-break for Mother Jones’ fundraising, and we need more online readers to pitch in than have been of late. In "It's Not a Crisis. This Is the New Normal," we take a level-headed look at the brutal economics of journalism, why investigative reporting like you get from us matters, and why we're optimistic we can grow our base of support in a big way—starting with hitting a huge $300,000 goal in just three weeks. Please learn more and donate if you can right now.

The next few months are make-or-break for Mother Jones’ fundraising. We need to raise $300,000 quickly, and we need more online readers to pitch in than have been. Please learn more in "It's Not a Crisis. This Is the New Normal," where we go into the brutal economics of journalism, and what makes Mother Jones unique and worth supporting if you can right now.

Fight disinformation: Sign up for the free Mother Jones Daily newsletter and follow the news that matters.

Too often regarded as a footnote to proper reggae, dub can be a rich style in its own right. The 22 newly unearthed 1970s dubs from master mixer King Tubby on Bring the Dub Come provide dazzling proof. Adapted from singles by singers like Dennis Brown and Big Youth, these danceable instrumentals exist in a state of constant flux, with leisurely horns, clattering percussion, and clanging guitars bubbling to the surface and then disappearing abruptly, as in a dream. Liberal reverb and massive, pulsating bass lines add to the surreal vibe. Far from a collector’s obscurity, this is a musical experience that’s guaranteed to raise a smile.