March/April 2007 Issue

Phantom Punch

<i>Astralwerks</i>. Slashing electric guitar and clattering drums intensify Lerche’s melancholy romanticism.

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Charming Norwegian Lerche embodies tasteful multinationalism, boasting lush melodies that echo Brian Wilson and Burt Bacharach and easy crooning inspired by Brazil’s Caetano Veloso. But lately, excessive polish has left Lerche in danger of sounding like Bing Crosby for the younger set. The exciting Phantom Punch rectifies that problem by upping the noise; slashing electric guitar and clattering drums intensify Lerche’s melancholy romanticism. The breathtaking “Say It All” sets heartbreak to a jumpy beat, while the angry chords of “Happy Birthday Girl” portray longing in cataclysmic terms. He’s the perfect role model for quiet guys who urge to erupt.

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In "News Is Just Like Waste Management," we unpack what the coronavirus crisis has meant for journalism, including Mother Jones’, and how we can rise to the challenge. If you're able to, this is a critical moment to support our nonprofit journalism with a donation: We've scoured our budget and made the cuts we can without impairing our mission, and we hope to raise $400,000 from our community of online readers to help keep our big reporting projects going because this extraordinary pandemic-plus-election year is no time to pull back.

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