March/April 2007 Issue

Phantom Punch

<i>Astralwerks</i>. Slashing electric guitar and clattering drums intensify Lerche’s melancholy romanticism.

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Charming Norwegian Lerche embodies tasteful multinationalism, boasting lush melodies that echo Brian Wilson and Burt Bacharach and easy crooning inspired by Brazil’s Caetano Veloso. But lately, excessive polish has left Lerche in danger of sounding like Bing Crosby for the younger set. The exciting Phantom Punch rectifies that problem by upping the noise; slashing electric guitar and clattering drums intensify Lerche’s melancholy romanticism. The breathtaking “Say It All” sets heartbreak to a jumpy beat, while the angry chords of “Happy Birthday Girl” portray longing in cataclysmic terms. He’s the perfect role model for quiet guys who urge to erupt.

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This is a big one for us. So, as we ask you to consider supporting our team's journalism, we thought we'd slow down and check in about where Mother Jones is and where we're going after the chaotic last several years. This comparatively slow moment is also an urgent one for Mother Jones: You can read more in "Slow News Is Good News," and if you're able to, please support our team's hard-hitting journalism and help us reach our big $350,000 goal with a donation today.

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