November/December 2009 Issue

Music: Rosencrantz and Guildenstern Are Undead

Sean Lennon composes a head-spinning film score.

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After forgettable forays into pleasant pop, John and Yoko’s kid may have found his niche with this head-spinning score for a vampire comedy flick of the same name. A touch campy yet oddly compelling, Lennon’s kaleidoscope of spooky sounds works as a single suite, deploying everything from dreamy piano and funereal organ to anxious strings and wistful wordless voices. Recommended to fans of Nino Rota’s elegant Fellini soundtracks and Danny Elfman‘s zany collaborations with Tim Burton.

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A full one-third of our annual fundraising comes in this month alone. That’s risky, because a strong December means our newsroom is on the beat and reporting at full strength—but a weak one means budget cuts and hard choices ahead.

The December 31 deadline is closing in fast. To reach our $400,000 goal, we need readers who’ve never given before to join the ranks of MoJo donors. And we need our steadfast supporters to give again—any amount today.

Managing an independent, nonprofit newsroom is staggeringly hard. There’s no cushion in our budget—no backup revenue, no corporate safety net. We can’t afford to fall short, and we can’t rely on corporations or deep-pocketed interests to fund the fierce, investigative journalism Mother Jones exists to do.

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