The Dangerous, Harrowing Work of War Photographer Chris Hondros

“Testament,” pays homage to a man who died doing what he loved.

Chris Hondros/Getty Images

Fight disinformation: Sign up for the free Mother Jones Daily newsletter and follow the news that matters.


Though he published thousands of photos, one of Chris Hondros’ best known images remains seared in my mind: a young Iraqi girl crying, covered in the blood of her parents who were just killed by the US soldiers towering over her. I first saw it in the New York Times—a shocking story with a mesmerizing image. I was just finding my way in the world of photography at the time, thinking maybe I wanted to be a war photographer. Hondros’ photos stood out for his ability to capture moments of clarity in tense, difficult situations. Not just dangerous situations, with bullets and mortars and shrapnel flying all around, but emotional ones. Like in the photo of that little girl, Samar Hassan.

Hondros’ photos were critically important in getting us to pay attention to what was going on in the world.

Shooting for Getty Images, Hondros covered the most perilous places on the planet. From the late 1990s onward, he risked his life so that we could casually glance at a photo in the New York Times, the LA Times, the Washington Post, or magazines such as The Economist, Newsweek, and Paris Match—and maybe even read the piece. Despite my own cynicism about over-coverage of violent conflicts, these types of photos are critically important in our understanding of what’s going on in the world. And they are critical in getting people to pay attention.

In April 2011, Hondros was killed while covering Libya—in the same attack that also killed the acclaimed photojournalist Tim Hetherington. Testament, a new offering from powerHouse Books, stands as a retrospective of Hondros’ work, and also reveals him as a skilled writer and speaker who often talked publicly about his profession and the impact of photography, especially war photography, on society. Excerpts of his writings, speeches, and interviews are interspersed with the photos, giving a better idea of the man, and where he was coming from as a photographer. It’s this extra stuff that makes Testament much better than just another collection of great photos from horrific situations. Proceeds from sales of the book, incidentally, go to the Chris Hondros Fund, established to support the work of conflict photographers and spread awareness of issues that arise from reporting in war zones.

The following images (except where noted) are from Testament, reprinted courtesy of powerHouse Boooks.

A Marine removes a picture of Saddam from a school in Al-Kut, Iraq. (April 2003)

 

A child soldier walks away from taunts in Monrovia, Liberia. (July 2003)

 

An Afghan girl in the ruins of Kabul’s Darul Aman Palace, part of a group of nomads living there under the protection of paramilitary police. (October 2010)
 

A supporter of Egypt’s then president, Hosni Mubarak, rides through Cairo’s Tahrir Square during a clash between pro- and anti-government protesters. (February 2011)

 

A woman in Tahrir Square after learning that Mubarak has relinquished power.
(February 2011)

 

Chris Hondros in Tahrir Square. Scout Tufankjian

 


If you buy a book using a Bookshop link on this page, a small share of the proceeds supports our journalism.

WE'LL BE BLUNT:

We need to start raising significantly more in donations from our online community of readers, especially from those who read Mother Jones regularly but have never decided to pitch in because you figured others always will. We also need long-time and new donors, everyone, to keep showing up for us.

In "It's Not a Crisis. This Is the New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, how brutal it is to sustain quality journalism right now, what makes Mother Jones different than most of the news out there, and why support from readers is the only thing that keeps us going. Despite the challenges, we're optimistic we can increase the share of online readers who decide to donate—starting with hitting an ambitious $300,000 goal in just three weeks to make sure we can finish our fiscal year break-even in the coming months.

Please learn more about how Mother Jones works and our 47-year history of doing nonprofit journalism that you don't find elsewhere—and help us do it with a donation if you can. We've already cut expenses and hitting our online goal is critical right now.

payment methods

WE'LL BE BLUNT

We need to start raising significantly more in donations from our online community of readers, especially from those who read Mother Jones regularly but have never decided to pitch in because you figured others always will. We also need long-time and new donors, everyone, to keep showing up for us.

In "It's Not a Crisis. This Is the New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, how brutal it is to sustain quality journalism right now, what makes Mother Jones different than most of the news out there, and why support from readers is the only thing that keeps us going. Despite the challenges, we're optimistic we can increase the share of online readers who decide to donate—starting with hitting an ambitious $300,000 goal in just three weeks to make sure we can finish our fiscal year break-even in the coming months.

Please learn more about how Mother Jones works and our 47-year history of doing nonprofit journalism that you don't elsewhere—and help us do it with a donation if you can. We've already cut expenses and hitting our online goal is critical right now.

payment methods

We Recommend

Latest

Sign up for our free newsletter

Subscribe to the Mother Jones Daily to have our top stories delivered directly to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate