“I’m a Man in a Dress, and I’m Not Afraid to Show That”

“Beautiful by Night” captures the transformations of San Francisco’s veteran drag queens.

Olivia (a.k.a. Frank) says that drag is both a screen and a way of shedding her skin.James Hosking

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On a Saturday afternoon, Olivia Hart gets dressed in her pay-by-the-week hotel room before heading out to Aunt Charlie’s Lounge, one of the last gay bars in San Francisco’s tough Tenderloin neighborhood. Fifty-four-year-old Olivia is one of several veteran drag performers profiled in Beautiful by Night, a documentary and photo series by filmmaker and photographer James Hosking. Olivia (a.k.a. Frank) says that drag is both a screen and a way of shedding her skin. “Olivia and I are pretty much one and the same,” she says. But, she adds, “my thing is not being a female illusionist where I look dead-on like a woman. I’m a man in a dress, and I’m not afraid to show that.”

Beautiful By Night by James Hosking

 

Gustavo holds a photo of himself as Donna Personna. James Hosking
 

Gustavo puts on breast pads. James Hosking
 

Gustavo transforms into Donna. James Hosking
 

Donna in her apartment. James Hosking
 

Collette LeGrande. James Hosking
 

Collette in her apartment. James Hosking
 

Frank becomes Olivia Hart in his hotel room. James Hosking
 

Frank applies fake eyelashes. James Hosking
 

Frank, mid-transformation, pauses for a cigarette. James Hosking
 

Olivia, on her way to Aunt Charlie’s. James Hosking
 

Olivia nears Aunt Charlie’s Lounge. James Hosking
 

Donna makes her way down Turk Street prior to the show. James Hosking
 

Olivia fixes her jewelry backstage. James Hosking
 

Donna gets ready for the show. James Hosking
 

Donna prior to her number. James Hosking
 

Collette makes a final check before her performance. James Hosking
 

Collette performs “Sunny” by Boney M.

 

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And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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