Film Review: Don’t Think I’ve Forgotten Cambodia’s Lost Rock and Roll


Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll

ARGOT PICTURES

On the surface, Don’t Think I’ve Forgotten is a film about the flourishing rock movement that emerged following Cambodia’s independence from France in 1953. Director John Pirozzi saturates the first half with vintage footage of Cambodia’s ’50s and ’60s music scene, interspersing it with interviews with musicians who survived the ensuing horrors and relatives of those who didn’t. The infectious music blends Chuck Berry-like riffs with haunting traditional melodies. And even though you know it’s coming, the progression of coups, bombings, and genocide is shattering. “If you want to eliminate values from past societies,” notes a member of the Cambodian royal family ousted in a US-sponsored coup, “you have to eliminate the artists.”

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In "News Is Just Like Waste Management," we unpack what the coronavirus crisis has meant for journalism, including Mother Jones’, and how we can rise to the challenge. If you're able to, this is a critical moment to support our nonprofit journalism with a donation: We've scoured our budget and made the cuts we can without impairing our mission, and we hope to raise $400,000 from our community of online readers to help keep our big reporting projects going because this extraordinary pandemic-plus-election year is no time to pull back.

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