What if Your Favorite Album was a Book?

Rock classics from from Arcade Fire to Zeppelin, reimagined as book covers.

The full library of Christophe Gowans' literary musical covers lives here. He's also collected his works in a book, The Record Books: Volume 1.

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What if your favorite rock album was a book? Christophe Gowans was wondering the same thing. “I got to thinking, well, what would those records look like if they actually were books, if the name of the album was actually the title of a novel or reference book?” Gowans, a graphic designer who lives in London, did just that, reimagining everything from Air to Zeppelin as something you might find on your shelf or in a used bookstore. After creating the covers, he digitally ages them—”I know my way round a retouch or two”—to look as well-loved as the LP sleeves and CD booklets that accompany their musical originals.

The results are as idiosyncratic as the albums themselves. Prince’s Purple Rain is transformed into a sci-fi fantasy by one P. Rogers Nelson. The Beatles’ Abbey Road feels like a well-mannered Penguin Classic. Arcade Fire‘s The Suburbs looks like a Book of the Month Club hardcover selection circa 1955. Patti Smith’s Horses trades its famous Mapplethorpe portrait for the look of a popular series of kids’ reference books. And the Sex Pistols’ Never Mind the Bollocks looks like something you’d stuff under your mattress (and then wash your hands).

The full library of Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

The full library of Christophe Gowans’ literary musical covers lives here. He’s also collected his works in a book, The Record Books: Volume 1.

 


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We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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