These 16 Albums Might Actually Make 2016 Tolerable

Take a break from politics and check out some of the year’s best music.

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Each year, Mother Jones‘ favorite music critic browses through hundreds of new albums and pulls out maybe a couple hundred for his weekly reviews. But only a few can make the final-final cut. Below, in alphabetical order, are Jon Young’s super-quick takes on his 15 top albums for 2016. (Feel free to heartily disagree and share your own faves in the comments.)

1. William Bell, This Is Where I Live (Stax): The tender, moving return of an underrated soul great.

 

2. David Bowie, Blackstar (Columbia/ISO): The Thin White Duke’s eerie, haunting farewell.

 

3. Gaz Coombes, Matador (Hot Fruit Recordings/Kobalt Label Services): Grand, witty megapop from the former Supergrass leader. (Full review here.)

4. Bob Dylan, The 1966 Live Recordings (Columbia/Legacy): A massive compilation of every note from his notorious tour. (Full review here.)

5. Margaret Glaspy, Emotions and Math (ATO): No-nonsense relationship tales that rock out with insistent verve.

6. Hinds, Leave Me Alone (Mom + Pop/Lucky Number): Frayed, rowdy femme-punk straight outta Madrid.

7. Jennifer O’Connor, Surface Noise (Kiam): Tuneful, deadpan folk-pop with a cutting edge. (Full review here.)

8. Brigid Mae Power, Brigid Mae Power (Tompkins Square): Hair-raising solo acoustic performances by an Irish chanteuse. (Full review here.)

9. Dex Romweber, Carrboro, (Bloodshot): A colorful Americana kaleidoscope from a master balladeer and rockabilly shouter. (Full review here.)

10. Sad13, Slugger (Carpark): Sadie Dupuis’ solo debut, poppier than her band Speedy Ortiz, and exuberantly feminist.

11 & 12. The Scientists, A Place Called Bad (Numero Group); and Blonde Redhead, Masculin Feminin (Numero Group): The great Chicago reissue label scores again with retrospectives devoted to The Scientists, Australian trash-rockers from the ’70s and ’80s, and Blonde Redhead’s ’90s shoegaze-noise recordings amid the chaotic New York scene. (Full review here.)

13. Allen Toussaint, American Tunes (Nonesuch): The gorgeous final works of the New Orleans R&B genius. (And here’s our recent chat with Toussaint collaborator Aaron Neville.)

14. A  Tribe Called Quest, We Got It from Here…Thank You 4 Your Service (Epic): The long-overdue return, and devastating goodbye, of a hip-hop institution.

15. Various Artists, The Microcosm: Visionary Music of Continental Europe, 1970-1986 (Light in the Attic): An eye-opening survey of vintage new age music in all its oddball, unexpected glory.

16. Heron Oblivion, self-titled (Sub Pop): Mind-scorching psychedelia that fuses deranged guitars and Meg Baird’s dreamy vocals.

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We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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