Peggy Orenstein’s Resistance Reading

Authors pick books that bring solace and understanding in an age of rancor.


We asked a range of authors and creative types to name books that bring solace or understanding in this age of rancor. More than two dozen responded. Here are picks from the best-selling author Peggy Orenstein, a contributing writer for the New York Times Magazine who has tackled everything from Disney’s princess-industrial complex to the sexuality of young women in the Instagram age.

Latest book: Girls & Sex
Also known for: Cinderella Ate My Daughter
Reading recommendations: Reading (and writing) about women’s lives has always been both a passion and a political act for me, and that impulse has only intensified since the election. I’m reading two books in tandem right now, each about a woman’s identity (and particularly her sexuality) roaring back after years of sublimation—voluntary, often joyful sublimation—to others’ needs. Claire Dederer’s erotically charged memoir, Love and Trouble, which comes out in May, grabbed me by the throat. At midlife, as the carefully crafted domestic idyll begins to crack, she’s forced to reckon with her “chaotic past” as a “disastrous pirate slut of a girl.” Sylvia Brownrigg’s new novel, Pages for Her, coming in July, rejoins the bisexual protagonist of her earlier novel Pages for You. Like Dederer, she had a picaresque girlhood but is now tucked away, married (to a man), a mother. She, too, realizes that it’s been years since she’s been able to write, always a sign in an author that something is badly amiss. Then, unexpectedly, an old love reemerges. Both books are about women reclaiming authenticity at midlife and pushing back against convention, against being put—or putting themselves—second or third or fifth in their own lives. The curious thing is, in both cases, the women are bohemian and professionally successful; so where did those expectations come from? How did they fall into the trap?

The answer may be found in another book, Maggie Nelson’s memoir about motherhood, The ArgonautsNelson asks how pregnancy can be “so profoundly strange and wild and transformative” while also coming to “symbolize or enact the ultimate conformity.” As a critic and one of the sharpest minds ever to walk this planet, Nelson questions everything before ultimately (like Dederer’s and Brownrigg’s heroines) setting sail again, moving forward, stronger, on her own personal Argo. 

Finally, I’m reading My Favorite Thing Is Monsters, Emil Ferris’ graphic novel about a 10-year-old Mexican-Irish-Cherokee girl growing up in 1960s Chicago, a social outcast who tries to solve the murder of her Holocaust-survivor neighbor. The radical politics of her present spiral with the fascism and kink of the Third Reich: The novel tackles race, gender, and what it means to be “monstrous” in big and small ways. It could not be more relevant to today’s climate.

Illustration by Allegra Lockstadt
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The complete series: Daniel Alarcón, Kwame Alexander, Margaret Atwood, W. Kamau Bell, Ana Castillo, Jeff Chang, T Cooper, Michael Eric Dyson, Dave Eggers, Reza Farazmand, William Gibson, Mohsin Hamid, Piper Kerman, Phil Klay, Alex Kotlowitz, Bill McKibbenRabbi Jack Moline, Siddhartha Mukherjee, Peggy Orenstein, Wendy C. Ortiz, Darryl Pinckney, Joe Romm, Karen Russell, George Saunders, Tracy K. Smith, Ayelet WaldmanJesmyn Ward, and Gene Luen Yang.


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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

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