T Cooper’s Resistance Reading

Authors pick books that bring solace and understanding in a time of rancor.

 

We asked a range of authors and creative types to name books that bring solace or understanding in this age of rancor. More than two dozen responded. Here are picks from the best-selling author, journalist, and filmmaker T Cooper, who is busy putting finishing touches on Man Made, his upcoming documentary about transgender bodybuilders. (See trailer below.)

Illustration by Allegra Lockstadt

Latest book: Changers (young-adult novel series with Allison Glock-Cooper)
Also known for: Real Man Adventures
Reading recommendations: I frequently find myself turning to Kiss of the Spider Woman, Manuel Puig’s brave and stunning novel from the mid-1970s, but it’s hitting a little close to home just about now—what with the “freak” and the revolutionary locked in a cell together by a corrupt and repressive government. Molina and Valentin make strange but necessary bedfellows who run into some gender trouble and the usual wretchedness (not to mention betrayal), but also uncover unexpected tenderness and hope inside the walls of the prison where most of the novel is set. Running through it all (in the form of 1930s and ’40s movie plots that Molina recounts to Valentin to pass time and ease their suffering) is the promise of stories that are perpetually unfolding somewhere “out there” in another world, despite the horrors happening “in here” in this one. I’m grateful for the escapism, even if sometimes it feels there’s no real chance of escape.

I hesitate to include Lawrence Wright’s Going Clear for fear of becoming “fair game” on both counts, but as more and more ruthless tactics, crackpot psychology, and shrewd brainwashing are revealed in the everyday workings of the Trump administration, the more eerily congruent it all feels to Scientology—an empty shell of a fervent movement begun by a maladjusted ginger who wants nothing more than to be universally worshipped, world famous, and taken seriously by the establishment he claims to abhor? No coincidence both men staked headquarters across the peninsula from one another in Florida.

And then there’s Slouching Toward Bethlehem, by Joan Didion: “I went to San Francisco because I had not been able to work in some months, had been paralyzed by the conviction that writing was an irrelevant act, that the world as I had understood it no longer existed. If I was to work again at all, it would be necessary for me to come to terms with disorder.”

Can’t say it any better than that. It’s time to get (back) to work.


_______

The complete series: Daniel Alarcón, Kwame Alexander, Margaret Atwood, W. Kamau Bell, Ana Castillo, Jeff Chang, T Cooper, Michael Eric Dyson, Dave Eggers, Reza Farazmand, William Gibson, Mohsin Hamid, Piper Kerman, Phil Klay, Alex Kotlowitz, Bill McKibbenRabbi Jack Moline, Siddhartha Mukherjee, Peggy Orenstein, Wendy C. Ortiz, Darryl Pinckney, Joe Romm, Karen Russell, George Saunders, Tracy K. Smith, Ayelet WaldmanJesmyn Ward, and Gene Luen Yang.

 


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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

And we hope you might consider pitching in before moving on to whatever it is you're about to do next. It's going to be a nail-biter, and we really need to see donations from this specific ask coming in strong if we're going to get there.

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