Aly & AJ Are Back Again. And They’re Good. Like “Potential-Break-Up Song” Good.

These cow belles aren’t playing around in the mud anymore.

Aly & AJ/Twitter

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This week: Ten Years (Deluxe) by Aly & AJ (Aly & AJ Music LLC, 2018)

Why we’re into it: The girls outshine their studio tracks with two newly released live recordings and a brand new studio recording.

It’s been a hot minute since Aly & AJ stormed the hearts of tweens across America with their angsty 2007 pop hit “Potential Breakup Song,” but now, along with a brand new song and two live recordings of their previously released singles, the sisters are back and carving out a bright musical future for themselves.

Ten Years, released in summer 2017, was one of the best returns to music that any former teen stars—let’s not forget Cow Belles—could have made. But as of November 30, they rereleased their EP in a deluxe edition that contains a brand new studio single, as well as live recordings from the final show in Chicago that closed their 2018 tour. With eight songs full of their 80’s inspired synth and guitar heavy tracks, there’s plenty to fall madly in love with.

Take Me,” “Promises,” “I Know,” and “The Distance,” have been around for over a year now, but upon a re-listen as part of the release, they feel as fresh and as vibrant as if you are hearing them for the first time. “Good Love,” released last summer is the love-is-love anthem that doesn’t overdo it and mirrors the girls outspoken political views.

Along with the old songs, there is also a new single, “With You“, that employs a deliciously sounding synth under their vocals and quickly beats out the other tracks as one of the album’s highlights. But no other track owns the top spot except their live recording of “Promises.” The live track is exciting, with their voices bestowing a type of wistfulness that gives the music a freshness that is rare in a studio recording.

But what really makes Aly & AJ stand out is their ability to mature both musically and lyrically alongside their fans, the new ones and those who have been with them since their Disney days. “All this is, is another mistake / Is another mistake to check off my list,” they sing as the crowd of Thalia Hall joins in.

An accomplished balance of maturity and playfulness is what makes this album today’s find. The rarity of musicians who outperform their studio recordings is a gem. So savor these eight tracks while you spend this weekend with the girls.

Honorable mentions: Clean Bandit’s newest orchestral-pop album What Is LoveRita Ora’s long awaited perfect-pop masterpiece Phoenix, and Dounia’s soulful album Avant Garde

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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