Journey Into These Young Artists’ EPs

Pip Blom and boygenius have some tunes to share.

https://www.youtube.com/watch?v=ljOonyYsMJI

Album Reviews

boygenius
boygenius
Matador

Pip Blom
Paycheck
Persona Non Grata

Back in pre-digital days, the EP (“extended play”) record offered more content than the two-track 45 but less than a full album. It remains a viable format today, especially when the music is this good.

Showcasing three well-regarded, young solo artists whose confessional songs range from somewhat rockin’ to mostly folky, boygenius brings together Lucy Dacus, Phoebe Bridgers, and Julien Baker for six unsparing tales of emotional devastation. “Bite the Hand” observes, “I can’t touch you/I wouldn’t if I could,” while “Souvenir” wrestles with self-loathing, asking, “When you cut a hole into my skull/Do you hate what you see/Like I do?” On “Ketchum, ID,” heavenly harmonies connect boygenius to timeless traditions of collaborative music-making, evoking a sense of communal effort that transcends styles and technology.

The wrenching tunes of boygenius feel like the work of old-timers next to Paycheck, the bracing, four-track gem from Amsterdam’s Pip Blom (the name of both singer and band). This engaging vocalist could be the snarkier little sister of Courtney Barnett, shouting, snarling, and clearly enjoying herself immensely on these fizzy, concise rockers. Don’t look for deeper truths—just dig the buzz. There’s plenty more Pip Blom, some of it just as exciting, out there online, too.

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We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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