This Is the Banger for…Your Bang

“I don’t wanna be in love, I don’t wanna be your baby.”

Litany/Twitter

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This week: “Call On Me” by Litany (Litany, 2018)

Why we’re into it: There’s no time wasted with this track, because it throws you right into the fray with blunt lyrics and music to match.

There’s something to be said about honesty—well, there’s a lot to be said about honesty. But how do you find those pearls of truth in all the songs about that never-ending chase for love, or heartbreak, or the possibility that, in fact, sometimes love isn’t necessarily what you’re looking for?

Jake Nicolaides, who’s in charge of production, and Beth Cornell, who rules the vocals, seem ready to play when they get into their newest track, “Call On Me.” They waste no time bringing you into the fun, with beats and keys that allude to the sense of playfulness Cornell’s vocals construct. “You know I got a free house tonight/I’ll rent some films for us to see” opens the track, with no subtlety—but who wants subtlety when so much else is possible?

As the chorus rolls around, the plainness of the lyrics are refreshingly bold: “I don’t wanna be in love/I don’t wanna be your baby.” Nicolaides’ production bounces with joy, as the two artists are so obviously connected and eager to indulge in happiness that’s fun and guilt-free.

By the time the bridge rolls around and the song begins to close, Cornell’s tone shifts, inserting a frisson of insecurity that gives depth to the track. It’s only a moment—a fleeting thought in the night while waiting for a lover. She breaks out of her trance and shakes it off before belting out the final chorus.

The song balances a tone that can be either slow and sensual or strong and aggressive, but it doesn’t lose its pace as something playful and light. Cornell and Nicolaides have made something quite special with this track, and it’ll be on repeat all December long.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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