Monsters of the 2010s: The Pivoters to Video

How many thousands of journalists’ lives were upended by the decisions of how many handfuls of people?

Chris Hughes (left) and Mark ZuckerbergJohn Green/San Mateo County Times/Getty

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The staff of Mother Jones is rounding up the decade’s heroes and monsters. Find them all here.

If there was one phrase that would summon dread in a newsroom in the 2010s it was “the pivot.”

I lived through a sort of pivot: I was hired as a staff writer at The New Republic in 2014. Not very long after I started, the owner at the time, Mark Zuckerberg’s college roommate, decided to transform the 100-year-old magazine into a “vertically integrated media company” that would produce “snackable content.” Many of the senior staff quit, and the staff that remained spent the next year trying to understand what “snackable content” could possibly mean. It went as well as you could expect: Chris Hughes sold the magazine about a year later.

I was surprised at the time how one person (who’d occasionally walk by my desk to talk about “his friend Mark”) could affect the lives and careers of an entire staff because he had a change of mind. I was naive. Media outlets steered by private equity firms and billionaire owners spent much of the decade chasing the whims of Silicon Valley’s algorithms. When Facebook decided it would rather host media content instead of driving an audience to it elsewhere, a video boom was born. The pivots soon followed, leading to hundreds of layoffs at Mashable, Fusion, Vice, Mic, and Vocativ (where my sister worked). Later, many outlets pivoted back when they realized video wouldn’t produce the profits they’d once imagined. The video teams they had just hired were laid off. 

And it was all pointless: A lawsuit filed by advertisers against Facebook in 2018 claimed the company had knowingly inflated its video metrics. (Facebook settled last month.) Those were the metrics that altered the media landscape, creating incentives for publishers to chase more viewers, to divert more resources to video initiatives, to disfigure their newsrooms.

In her powerful essay, “Human Toll of the 2019 Media Apocalypse,” Maya Kosoff gets to the bottom of how these decisions have hollowed out journalism. “The hedge fund managers and bosses at the top of the private-equity firms and the conglomerates that own many of the country’s newspapers are the adults in the room on paper, but when they streamline operations, lay off staffers, and downsize newsrooms while still trying to turn a profit, they fail to successfully replicate the thing that’s at the heart of any newsroom.” 

How many thousands of journalists’ lives were upended by the decisions of how many handfuls of people? How many careers were ground up because of the fictions and frauds of measuring digital audience? These are frightening, dizzying thoughts. ThinkProgress, Deadspin, Pacific Standard, The Times-Picayune, and Washington Post Express died in 2019. According to the Columbia Journalism Review‘s tally, 3,385 journalists lost their jobs in the past year alone. I know what snackable content means now. It means the journalists get eaten.

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WE'LL BE BLUNT.

We have a considerable $390,000 gap in our online fundraising budget that we have to close by June 30. There is no wiggle room, we've already cut everything we can, and we urgently need more readers to pitch in—especially from this specific blurb you're reading right now.

We'll also be quite transparent and level-headed with you about this.

In "News Never Pays," our fearless CEO, Monika Bauerlein, connects the dots on several concerning media trends that, taken together, expose the fallacy behind the tragic state of journalism right now: That the marketplace will take care of providing the free and independent press citizens in a democracy need, and the Next New Thing to invest millions in will fix the problem. Bottom line: Journalism that serves the people needs the support of the people. That's the Next New Thing.

And it's what MoJo and our community of readers have been doing for 47 years now.

But staying afloat is harder than ever.

In "This Is Not a Crisis. It's The New Normal," we explain, as matter-of-factly as we can, what exactly our finances look like, why this moment is particularly urgent, and how we can best communicate that without screaming OMG PLEASE HELP over and over. We also touch on our history and how our nonprofit model makes Mother Jones different than most of the news out there: Letting us go deep, focus on underreported beats, and bring unique perspectives to the day's news.

You're here for reporting like that, not fundraising, but one cannot exist without the other, and it's vitally important that we hit our intimidating $390,000 number in online donations by June 30.

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