Blending and Bending with UFOs over Bamako

Fight disinformation. Get a daily recap of the facts that matter. Sign up for the free Mother Jones newsletter.


farkatoure.png

Malian guitarist Vieux Farka Toure’s self-titled 2006 debut spawned a 2007 remix album that I can’t stop listening to. I play it at work, on BART to and from work, and at night doing Google searches for God-knows-what.

The remix album, UFOs Over Bamako, takes the effectiveness of the original’s West African rhythms, conga-heavy beats, sweet but somber vocal hooks and spacious, acoustic simplicity and works it into a mix that bounces with intensity; an earthy, full sound that more DJs should be spinning at dance clubs. The use of electronic beats and digital sound effects doesn’t kill Farka Toure’s vibe; it takes it to a level that is less contemplative and more stylized, more beat-heavy and less spacious. The resulting remix is a combination of folk and electronica that could easily have been awkward but instead is a great piece of musical blending—and bending.

Vieux Farka Toure is the son of Malian guitarist and singer Ali Farka Toure, who until his death last year was one of Africa’s most internationally-recognized musicians. There’s a story that during a visit to Bamako, Mali in the late 1960’s, Ray Charles, Otis Redding, and John Lee Hooker introduced Ali Farka Toure to the blues. He eventually toured Africa, Europe, and America, and in 1992 earned a Grammy for Talking Timbuktu, which he recorded with globe-trotting American guitarist Ry Cooder.

Just as his father was fascinated by the African roots in American blues music, Vieux Farka Toure’s remix CD embraces the global connection between African rhythms and reggae, certain elements of club music, and electronica.

ONE MORE QUICK THING:

Or at least we hope. It’s fall fundraising time, and we’re trying to raise $250,000 to help fund Mother Jones’ journalism during a shorter than normal three-week push.

If you’re reading this, a fundraising pitch at the bottom of an article, you must find our team’s reporting valuable and we hope you’ll consider supporting it with a donation of any amount right now if you can.

It’s really that simple. But if you’d like to read a bit more, our membership lead, Brian Hiatt, has a post for you highlighting some of our newsroom's impressive, impactful work of late—including two big investigations in just one day and covering voting rights the way it needs to be done—that we hope you'll agree is worth supporting.

payment methods

ONE MORE QUICK THING:

Or at least we hope. It’s fall fundraising time, and we’re trying to raise $250,000 to help fund Mother Jones’ journalism during a shorter than normal three-week push.

If you’re reading this, a fundraising pitch at the bottom of an article, you must find our team’s reporting valuable and we hope you’ll consider supporting it with a donation of any amount right now if you can.

It’s really that simple. But if you’d like to read a bit more, our membership lead, Brian Hiatt, has a post for you highlighting some of our newsroom's impressive, impactful work of late—including two big investigations in just one day and covering voting rights the way it needs to be done—that we hope you’ll agree is worth supporting.

payment methods

We Recommend

Latest

Sign up for our free newsletter

Subscribe to the Mother Jones Daily to have our top stories delivered directly to your inbox.

Get our award-winning magazine

Save big on a full year of investigations, ideas, and insights.

Subscribe

Support our journalism

Help Mother Jones' reporters dig deep with a tax-deductible donation.

Donate