New(-ish) Music: Nicole Willis and the Soul Investigators

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Because of the holiday weekend and a jaunt to DJ down in LA, I thought I’d take a week off from the Top Ten Stuff ‘n’ Things. But don’t fret, Riff readers, I’ve still got lots to say about new music, I’ll just post about it randomly.

Keep Reachin' Up
My first exposure to Nicole Willis and the Soul Investigators was via their single, “If This Ain’t Love.” At first it’s easy to lump the track into the current neo-soul trend with Amy Winehouse and her backing-band-sharing compadre Sharon Jones. With Willis’ silky-smooth voice and the jazzy backing track (not to mention the retro album cover), “Love” seems like a straightforward throwback at first listen; but closer attention shows there’s more going on here.

“If This Ain’t Love”

The track’s minor-seventh piano chords and unexpected melodic twists are unabashedly modern, and the flute solo at the end verges on psychedelia. This is retro, but set entirely in the present.

Willis was born in Brooklyn but spent her formative musical years in London, working with The The and Leftfield along with more traditional soul musicians like the Repercussions. Her husband, Finnish musician Jimi Tenor, produced her solo debut in 2000, mixing traditional jazz styles with electronics, as is his wont. The Soul Investigators are themselves a Finnish collective, around nine members strong (it looks like from their photo) and oddly, it’s with them that her voice really finds a home.

The album, Keep Reachin’ Up, actually came out an embarrassingly long time ago: 2005, in fact, but it had only limited release on a Finnish label. Thankfully, it’s finally available on iTunes. Check out “Soul Investigators Theme,” an instrumental track that features the piano front and center again.

“Soul Investigators Theme” (via Die Monster)

The groove is insistent and hypnotic, the kind of thing you could set on repeat all night. Or try “Feeling Free,” a Marvin Gaye-reminiscent number with an insistent beat, precisely executed by these crazy Finns. The Soul Investigators work in the grand tradition of The Four Tops and The Supremes, but can’t help imbue their music with a cool, airy spirit.

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From the desk of Mother Jones CEO, Monika Bauerlein...

Newsrooms can be funded in many ways. One of the most controversial (and volatile) ways is by a for-profit corporation or a billionaire owner. We see it across the headlines on a weekly basis: the claw backs in public media, the gutting of The Washington Post, the bending over backwards to appeal to Trump and his allies.

But not here.

When Mother Jones first started publishing 50 years ago, our founders made a critical decision: to be a reader-supported nonprofit. They knew that no corporate owner would be interested in a muckraking newsroom; they also knew that no muckraking newsroom would be interested in following the agenda of a corporate owner.

And so, we’ve been reader-funded for half a century. We rely on contributions from our readers—readers like you—whether it’s $50, or $15 a month, or whatever fits your budget. People give what they can, and every donation makes a difference for our newsroom, which has grown tremendously—in size and reach and renown—since its inception in 1976.

You may be wondering: What does it take to publish an investigation? And what does my donation actually fund? The answers are one and the same: It takes people, resources, and time. And that’s what your donation funds directly.

Every donation Mother Jones receives from readers fortifies our newsroom, whether we’re covering underreported scandals out of Washington, DC, or the most important news of the day. And right now, each donation will be doubled because of our $50,000 match. So when you make a donation—$5, $50, any amount—it’ll go twice as far.

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