Le Concorde, Ready For Zach Braff

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Visions of teen flicks with happy endings dance in my head when I listen to Le Concorde’s EP, Suite. The lyrics are sweet and romantic, and the songs have titles like “I Want You Back” and “Lullaby for Dollface.” This is music for someone who just broke up with their boyfriend or girlfriend, you know, at the junior high prom.

In fact, the music is perfectly suited for a soundtrack to a romantic comedy. I can just see the montage now, of a new, young, and happy couple going on their first string of dates together, while Le Concord’s “Break You Like a Promise” is playing in the background. “Lullaby for Dollface” could easily have been featured in Zach Braff’s uber sentimental Garden State soundtrack in place of that wispy Iron and Wine song, “Such Great Heights.”

Le Concorde’s music earned the band enough credibility to headline a 2005 CMJ (College Music Journal) showcase performance. Their website fills you in on lots of personal details (Honestly, it was more than I needed to know) about founding member Stephen Becker’s journey (earning a PhD, getting a divorce) toward making “Suite.” Becker describes the music as “a love—approaching obsession—with the finest details of the sonic sculpture.”

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DEMOCRACY DOES NOT EXIST...

without free and fair elections, a vigorous free press, and engaged citizens to reclaim power from those who abuse it.

In this election year unlike any other—against a backdrop of a pandemic, an economic crisis, racial reckoning, and so much daily bluster—Mother Jones' journalism is driven by one simple question: Will America move closer to, or further from, justice and equity in the years to come?

If you're able to, please join us in this mission with a donation today. Our reporting right now is focused on voting rights and election security, corruption, disinformation, racial and gender equity, and the climate crisis. We can’t do it without the support of readers like you, and we need to give it everything we've got between now and November. Thank you.

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