Top Five: Music for a Heat Wave

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Since everybody’s so into lists these days, I figured I’d bring back my Top Five mini-countdown of fun stuff ‘n’ things, with the added conveneince of an Imeem widget for your listening pleasure (see below). This week, as we in California roast under triple-digit temperatures, why not celebrate with some tunes that either take explicit pleasure in the heat, or at least sound really good on a warm night.

1. Roy Ayers – “Everybody Loves the Sunshine”
It must have been a hot summer in 1976 too, since this track has the languid swoon of waves lapping gently on the beach, and the high, sustained violin note is like a bright white disk in the sky. Plus I could listen to that piano line on an infinite loop.

2. Julieta Venegas – “Eres Para Mi” (Sonidero Nacional Cumbia Remix)
The original of this 2007 hit was still omnipresent when I was in Mexico earlier this year, and sure, it’s got a kind of Ace of Base pop-reggae appeal. I just heard this cumbia remix, and it makes it even better.

3. Quiet Village – “Pacific Rhythm”
While this duo has roots in dance music, their new album Silent Movie digs deeper into the swampy history of lounge than even, say, Air. Think Martin Denny, from whence the combo took their name.

4. Harry Belafonte – “Jump In the Line (Shake Senora)” (John Bourke Bmore mix)
I’ll admit right now that whenever Beetlejuice comes on TV I almost always watch it, and a great part of its appeal is its use of Belafonte’s strange, creepy-yet-joyous music. A Baltimore-style remix, adding thumps to the “shake, shake, shake” line, is obvious but highly effective.

5. The Music – “Fire”
You might think this UK band would be hard to Google, but their pages come right up. Anyway, while the fusion of dance music with rock energy has produced some misfires (hi there, Jesus Jones), The Music have the ecstatic intensity of early U2.

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WHO DOESN’T LOVE A POSITIVE STORY—OR TWO?

“Great journalism really does make a difference in this world: it can even save kids.”

That’s what a civil rights lawyer wrote to Julia Lurie, the day after her major investigation into a psychiatric hospital chain that uses foster children as “cash cows” published, letting her know he was using her findings that same day in a hearing to keep a child out of one of the facilities we investigated.

That’s awesome. As is the fact that Julia, who spent a full year reporting this challenging story, promptly heard from a Senate committee that will use her work in their own investigation of Universal Health Services. There’s no doubt her revelations will continue to have a big impact in the months and years to come.

Like another story about Mother Jones’ real-world impact.

This one, a multiyear investigation, published in 2021, exposed conditions in sugar work camps in the Dominican Republic owned by Central Romana—the conglomerate behind brands like C&H and Domino, whose product ends up in our Hershey bars and other sweets. A year ago, the Biden administration banned sugar imports from Central Romana. And just recently, we learned of a previously undisclosed investigation from the Department of Homeland Security, looking into working conditions at Central Romana. How big of a deal is this?

“This could be the first time a corporation would be held criminally liable for forced labor in their own supply chains,” according to a retired special agent we talked to.

Wow.

And it is only because Mother Jones is funded primarily by donations from readers that we can mount ambitious, yearlong—or more—investigations like these two stories that are making waves.

About that: It’s unfathomably hard in the news business right now, and we came up about $28,000 short during our recent fall fundraising campaign. We simply have to make that up soon to avoid falling further behind than can be made up for, or needing to somehow trim $1 million from our budget, like happened last year.

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